- BPM
- 62
- Key
- B♭ Minor
- Camelot
- 3A
Celtic Concerto: 2. Hiraeth by Catrin Finch, Sinfonia Cymru, John Rutter Song Details
"Celtic Concerto: 2. Hiraeth" by Catrin Finch, Sinfonia Cymru, John Rutter had its release date on January 1, 2012. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 17 in Blessing by John Rutter, Catrin Finch. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Celtic Concerto: 2. Hiraeth is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Celtic Concerto: 2. Hiraeth by Catrin Finch, Sinfonia Cymru, John Rutter is Larghetto (rather broadly), since this song has a tempo of 62 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 17%
- Loudness
- -19.782 dB
- Acousticness
- 91%
- Danceability
- 31%
- Energy
- 5%
- Instrumentalness
- 57%
- Liveness
- 10%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 8%
Recommendations
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 | African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 129 BPM | |
 | Les pêcheurs de perles, WD 13, Act I: Au fond du temple saint (Arr. for Cello and Orchestra) | Georges Bizet, Sally Maer, Andrew Greene, Tasmanian Symphony Orchestra | E♭ Major | 2 | 5B | 57 BPM | |
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 | Promenade à l'automne | Carisma | D Minor | 1 | 7A | 179 BPM | |
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 | Myrtle | Debbie Wiseman, National Symphony Orchestra | F Minor | 1 | 4A | 82 BPM | |
 | Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | |
 | Dappled Light | Luke Howard, Jess Gillam, Jess Gillam Ensemble | B♭ Minor | 0 | 3A | 129 BPM | |
 | Fantasy for Guitar Op. 107: III. Arietta 1 | Malcolm Arnold, Sean Shibe | D Major | 0 | 10B | 109 BPM | |
 | A Moorside Suite: II. Nocturne (Arr. P. Lane) | Gustav Holst, Royal Ballet Sinfonia, Gavin Sutherland | A Minor | 0 | 8A | 57 BPM | |
 | DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | |
 | The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic, Thomas Stacy | A Minor | 1 | 8A | 75 BPM | |
 | Oboe Concerto in D Minor S.Z799: 2. Adagio (Arr. Harle) | Alessandro Marcello, Jess Gillam, BBC Concert Orchestra, Richard Balcombe | C Minor | 1 | 5A | 71 BPM | |
 | Brook Green Suite: Air | Gustav Holst, Royal Ballet Sinfonia, David Lloyd-Jones | E Minor | 1 | 9A | 78 BPM | |
 | The Blue Bandit | Nigel Westlake, Melbourne Symphony Orchestra, Benjamin Northey | F Major | 3 | 7B | 175 BPM |
- ISRC
- DEN961202132
- Label
- L-M Records/RCA Records