"Letters From Long Kesh" by The Breath had its release date on October 13, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in The Breath's "Land of My Other" album is number 8 out of 10. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Letters From Long Kesh is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Letters From Long Kesh by The Breath to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Passing Places | Blue Rose Code, Kathleen MacInnes | D Major | 2 | 10B | 120 BPM | ||
| Talk to Me of Mendocino | Karine Polwart, Dave Milligan | B♭ Major | 0 | 6B | 80 BPM | ||
| My Life | Clara Mann, Owen Spafford | B♭ Major | 1 | 6B | 60 BPM | ||
| Luminous Soul | Martha Tilston | C Major | 2 | 8B | 61 BPM | ||
| Bitten Winter Skin | Anna McLuckie | A Major | 4 | 11B | 82 BPM | ||
| The Beautiful Road | Rónán Ó Snodaigh, Myles O'Reilly | F Major | 1 | 7B | 125 BPM | ||
| Bánshoilse | Eoghan Ó Ceannabháin | B♭ Major | 1 | 6B | 138 BPM | ||
| Sail On | Clare Sands | F♯ Minor | 3 | 11A | 89 BPM | ||
| The Hands of a Woman | Reg Meuross | C Major | 2 | 8B | 161 BPM | ||
| Seraphim | Anna Mieke | B Major | 3 | 1B | 92 BPM | ||
| Women of the Well | Martha Tilston | D Major | 2 | 10B | 87 BPM | ||
| America, Come | Aoife O'Donovan, Hawktail | A Major | 3 | 11B | 126 BPM | ||
| Saró (Arr. by Nico Muhly) [Adapted for Chamber Orchestra by Bernard Rofe] | Sam Amidon, Norwegian Chamber Orchestra, Pekka Kuusisto | B♭ Major | 2 | 6B | 115 BPM | ||
| We Bow To Mother | Lana Jagger | C Major | 2 | 8B | 120 BPM | ||
| A Boat on the River | Katherine Priddy | A Major | 3 | 11B | 110 BPM | ||
| Sunny Days | Lucy Kitchen | A Major | 4 | 11B | 82 BPM | ||
| no way blues | Rachel Sermanni | A♭ Major | 3 | 4B | 92 BPM | ||
| Way over Yonder in the Minor Key | Hannah Sanders & Ben Savage | A Minor | 1 | 8A | 80 BPM | ||
| Western Tidal Swell | Iona Lane | B Major | 2 | 1B | 76 BPM | ||
| Análl Mór Doimhin | Rónán Ó Snodaigh, Myles O'Reilly | D Major | 1 | 10B | 71 BPM | ||
| Saint of Scrap Metal | Anna Tivel | A Major | 4 | 11B | 82 BPM | ||
| Belly | Niamh Regan | F♯ Minor | 4 | 11A | 87 BPM | ||
| Crow | Cinder Well | G Minor | 3 | 6A | 96 BPM | ||
| charmer of the people | LLouise | A Major | 4 | 11B | 82 BPM | ||
| You Have God | Maya Love | E Major | 2 | 12B | 145 BPM |