Tomás de Perrate's ' "Te vi - version" was released on its scheduled release date, February 21, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tomás de Perrate's "Infundio" album is number 4 out of 9. In terms of popularity, Te vi - version is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Te vi - version by Tomás de Perrate to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gospelerías | Pitingo | A♭ Major | 8 | 4B | 118 BPM | ||
| Por las Arenas (Tangos Flamenco) | Tomás de Perrate | D♭ Minor | 3 | 12A | 116 BPM | ||
| Aceitunitas Negras - Tangos | Laura Marchal | D♭ Minor | 5 | 12A | 109 BPM | ||
| El Sitio Donde Te Hablé (Bulerías) | Tomasa La Macanita, Moraito Chico | A♭ Minor | 4 | 1A | 127 BPM | ||
| Tus consejos | La Tana | A♭ Minor | 6 | 1A | 110 BPM | ||
| Farruca Amarga | Niño de Elche, Raül Refree | D♭ Minor | 3 | 12A | 108 BPM | ||
| Fernanda y Adela (Cuplé por Bulerías) | Alicia Gil | B Major | 5 | 1B | 112 BPM | ||
| Mírala Bien (Bulerías) | Juan Moneo 'El Torta' | D♭ Minor | 7 | 12A | 111 BPM | ||
| polisemia - Version Acústica | dani con'd | E Minor | 9 | 9A | 146 BPM | ||
| Bulerías de la Lluvia - Cuplé por Bulerías | Laura Marchal, Víctor Franco | G Minor | 5 | 6A | 120 BPM | ||
| Que Te Vaya Bonito | Guadiana | G Major | 6 | 9B | 156 BPM | ||
| Tu Mirá | Alba Molina, Joselito Acedo | F Major | 4 | 7B | 110 BPM | ||
| Tres Golpes (Fandango Callejero) | Perrate, Raül Refree | F♯ Major | 5 | 2B | 115 BPM | ||
| Romance de la Luna | Juan Carmona, David de Jacoba, Israel Fernández, Guadiana, Pedro el Granaíno | A♭ Major | 7 | 4B | 89 BPM | ||
| Cantinas del Guadalete - Cantiñas | Fernando De La Morena, Moraíto | E Major | 6 | 12B | 157 BPM | ||
| Cantiñas - Cantiñas del Marinero | Tomasa La Macanita, Moraito, Parrilla de Jerez | A Major | 5 | 11B | 162 BPM | ||
| Bulería pa Jeré | Agujetas Chico | E♭ Minor | 6 | 2A | 116 BPM | ||
| Fandangos | Jesús Méndez | A♭ Major | 6 | 4B | 105 BPM | ||
| Puente del principio y el fin | Manuel Molina | D Major | 2 | 10B | 181 BPM | ||
| Bulería - Bulería del Desenamoro | Tomasa La Macanita, Moraito, Parrilla de Jerez | D♭ Minor | 7 | 12A | 118 BPM | ||
| Besos de Caramelo | Aurora, Antonio Carmona | C Minor | 7 | 5A | 109 BPM | ||
| Nostalgia Añadia (Buleria) | Montse Cortés | A Minor | 6 | 8A | 105 BPM | ||
| Gran Flamenco I | Laritza Prado, Adolfo Huelva | C Minor | 6 | 5A | 95 BPM | ||
| Compay Diego (Bulerías) | Tomás de Perrate, Antonio Moya | B♭ Minor | 5 | 3A | 112 BPM | ||
| Solea en el Berlín - En Directo | Josemi Carmona, Juan Carmona, Juan Jose Suarez "Paquete", Antonio Flores | E♭ Major | 6 | 5B | 154 BPM |