Joe Bonamassa's 'Broken Record' had a release date set for July 18, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 10 in Breakthrough by Joe Bonamassa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Broken Record is currently average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Broken Record by Joe Bonamassa is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Low Spark Of High Heeled Boys | Dave Mason, Joe Bonamassa | B♭ Minor | 6 | 3A | 188 BPM | ||
| Bad Penny | Laurence Jones, Rory Gallagher | C Major | 8 | 8B | 200 BPM | ||
| Cold Shot | David Garfield, Joe Bonamassa | G Major | 7 | 9B | 113 BPM | ||
| Forgive Me | Etta Mae Hartwell | A Minor | 3 | 8A | 170 BPM | ||
| Dream for 2 | Eric Steckel | F♯ Minor | 9 | 11A | 121 BPM | ||
| Problem Number 29 | John Haydock | A Major | 4 | 11B | 100 BPM | ||
| Whatever It Takes to Survive | King King | F♯ Minor | 7 | 11A | 81 BPM | ||
| Lord It Comes Down Hard | 100 Watt Vipers | F Major | 4 | 7B | 80 BPM | ||
| Empty City | John Haydock | D♭ Major | 8 | 3B | 110 BPM | ||
| The Truth Comes Out Eventually | Connor Selby | C Major | 2 | 8B | 135 BPM | ||
| Time Might Never Come | Ben Poole | A♭ Minor | 3 | 1A | 120 BPM | ||
| Destination Unknown | Laurence Jones | E Major | 4 | 12B | 168 BPM | ||
| True That | Anthony Gomes | D♭ Major | 10 | 3B | 77 BPM | ||
| Falling Through the Light | Blues Man | A Minor | 2 | 8A | 72 BPM | ||
| I Need You | Jay Howie | E Minor | 2 | 9A | 137 BPM | ||
| Slamming The Door | Mike Andersen | F Minor | 7 | 4A | 84 BPM | ||
| I'd Rather Go Blind - Live - Bonus Track | Beth Hart, Jeff Beck | A Major | 5 | 11B | 143 BPM | ||
| Broken & Blue | Ally Venable, Joe Bonamassa | F♯ Minor | 5 | 11A | 136 BPM | ||
| Smiling In The Pouring Rain | Gotthard | A Minor | 3 | 8A | 122 BPM | ||
| You Upset Me Baby | Joe Bonamassa, Chris Cain | B Major | 8 | 1B | 147 BPM | ||
| On the Road Again | Bernie Marsden | A Major | 8 | 11B | 121 BPM | ||
| No Good Place For The Lonely | Joe Bonamassa | F Minor | 8 | 4A | 104 BPM | ||
| When My Heart Beats Like A Hammer | Joe Bonamassa, Dannielle De Andrea | A Minor | 3 | 8A | 122 BPM | ||
| Sebastian | Guy Fletcher | B Minor | 4 | 10A | 144 BPM | ||
| Early In The Morning | Jade Macrae, Joe Bonamassa | G Minor | 6 | 6A | 82 BPM |