Curtis Salgado's ' "Baby, Let Me Take You In My Arms" was released on its scheduled release date, April 10, 2012. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Soul Shot". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Baby, Let Me Take You In My Arms is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Baby, Let Me Take You In My Arms by Curtis Salgado having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nasty Habits | Tommy Castro | C Major | 6 | 8B | 109 BPM | ||
| Stay with Me | Laurie Morvan | A Minor | 7 | 8A | 189 BPM | ||
| 80 Miles From Memphis | Southern Avenue | A Major | 9 | 11B | 98 BPM | ||
| When The Blues Catch Up With You | Buddaheads | G Major | 6 | 9B | 206 BPM | ||
| Neverland | Guitar Shorty | A Minor | 8 | 8A | 124 BPM | ||
| Good as I Feel Today | Delbert McClinton & Glen Clark | F Minor | 9 | 4A | 175 BPM | ||
| .32 Blues | Chris Duarte | B♭ Minor | 6 | 3A | 114 BPM | ||
| I'm so Happy | Kenny Neal | A Major | 7 | 11B | 96 BPM | ||
| Just Lucky I Guess | Delta Moon | C Major | 5 | 8B | 108 BPM | ||
| Change It | Doyle Bramhall | F Major | 7 | 7B | 104 BPM | ||
| Strange Things Happen | Lazy Lester | C Major | 3 | 8B | 81 BPM | ||
| The Future Ain't What It Used to Be | Seth Walker | F Major | 1 | 7B | 78 BPM | ||
| Further On Down The Road | Tommy Castro, The Painkillers | F Minor | 9 | 4A | 95 BPM | ||
| What Good Can Drinkin' Do | Carolyn Wonderland | G Major | 7 | 9B | 93 BPM | ||
| What You Doing to Me (feat. Victor Wainwright) | Brandon Santini, Victor Wainwright | C Major | 6 | 8B | 84 BPM | ||
| Last Chance | Sena Ehrhardt | A Major | 5 | 11B | 168 BPM | ||
| Don't Fight It | Phantom Blues Band | F Major | 7 | 7B | 109 BPM | ||
| Don't Think Twice | Clarence "Gatemouth" Brown | F Major | 3 | 7B | 73 BPM | ||
| Struggle for Grace | Kirk Fletcher | D Minor | 6 | 7A | 178 BPM | ||
| I'll Be There (If You Ever Want Me) | Clarence "Gatemouth" Brown | B♭ Minor | 4 | 3A | 83 BPM | ||
| Misunderstood | Carolyn Wonderland | C Major | 8 | 8B | 110 BPM | ||
| I Won't Be Around | Janiva Magness | G Major | 3 | 9B | 84 BPM | ||
| Can't Lose 'Em All | Devon Allman | E Minor | 8 | 9A | 99 BPM | ||
| Old Fools, Bar Stools, And Me | Damon Fowler | A Major | 3 | 11B | 112 BPM | ||
| Drinking Straight Tequila | Chris Cain | B Minor | 8 | 10A | 125 BPM |