"Night Dive - Bootleg Ben Remix" by Max Jacob, Bootleg Ben had its release date on April 24, 2017. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Night Dive". In this album, this song's track order is #2. Based on our statistics, Night Dive - Bootleg Ben Remix's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Night Dive - Bootleg Ben Remix by Max Jacob, Bootleg Ben having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bellini: I puritani: "A festa!" (Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Symphony of Saints: IV. Saint Cuthbert - the Pious | Martin Romberg, Joanne Lunn, Orchestra of the Swan, Andrew Griffiths | D Major | 2 | 10B | 49 BPM | ||
| Falstaff / Act I: "Alice" - "Meg" - "Nannetta" | Giuseppe Verdi, Stella Doufexis, Adrianne Pieczonka, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado | C Major | 3 | 8B | 68 BPM | ||
| La Bohème, Act II: Quando me’n vo’ | Giacomo Puccini, Luigi Illica, Giuseppe Giacosa, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
| Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | D Major | 2 | 10B | 49 BPM | ||
| Carmen, Act I: Scene and Chorus. Sur la place chacun passe | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
| Orchestral Set n.2: Watermarks (I) | Aurelio Scotto | G Minor | 2 | 6A | 92 BPM | ||
| Le nozze di Figaro, K.492 / Act 1: "La vendetta, oh, la vendetta" | Wolfgang Amadeus Mozart, Paul Plishka, Metropolitan Opera Orchestra, James Levine | A♭ Major | 2 | 4B | 167 BPM | ||
| Die Fledermaus, Act II: Entr'acte und Chor. Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Cui: 20 Poèmes de Jean Richepin, Op. 44: No. 1, Berceuse. "Dors, mon fieux, dors" | César Cui, Boris Christoff, Janine Reiss | D Minor | 1 | 7A | 112 BPM | ||
| Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
| Donizetti: La favorite, Act 4: "Ange si pur" (Fernand) | Gaetano Donizetti, Pene Pati, Orchestre National Bordeaux Aquitaine, Emmanuel Villaume | C Major | 0 | 8B | 87 BPM | ||
| Lonely Cove - Original Mix | Max Jacob | A Minor | 3 | 8A | 122 BPM | ||
| Così fan tutte, K. 588 / Act I: "Una bella serenata" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 135 BPM | ||
| Die verkaufte Braut (2007 Remaster), Akt 2: Wie schäumst du in den Gläsern (Chor: Hans - Kezal - Chor) | Bedřich Smetana, Pilar Lorengar/Fritz Wunderlich/Gottlob Frick/Bamberger Symphoniker/Rudolf Kempe, Rudolf Kempe, Bamberg Symphony | G Major | 5 | 9B | 112 BPM | ||
| Le Bal masqué, FP60: III. Malvina | Francis Poulenc, Max Jacob, Roderick Williams, Mark Bebbington, Royal Philharmonic Orchestra, Jan Latham-Koenig | D♭ Major | 1 | 3B | 134 BPM | ||
| La fille du régiment / Act 1: Sacré nom d'une pipe! | Gaetano Donizetti, Spiro Malas, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 62 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "C'est elle ! Elle vient" (Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Orchestre du Theatre National de IOpera-Comique | D Minor | 8 | 7A | 140 BPM | ||
| La fille du régiment / Act 1: Rataplan, rataplan, rataplan | Gaetano Donizetti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E Major | 6 | 12B | 127 BPM | ||
| Into the Unknown - Original Mix | Max Jacob | C Major | 7 | 8B | 124 BPM | ||
| Blue - Max Jacob Remix | Van John, Max Jacob | B Minor | 6 | 10A | 122 BPM | ||
| Dargomyzhsky: Bolero | Alexander Dargomyzhsky, Galina Vishnevskaya, Mstislav Rostropovich | D Major | 2 | 10B | 49 BPM | ||
| Poulenc: Dialogues des Carmélites, FP 159, Act 1 Tableau 1: "Où est Blanche ?" (Le Chevalier, Le Marquis) | Francis Poulenc, Jean-Luc Viala/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Marco Zambelli/London Chorus/Kent Nagano/Richard Cooke, Kent Nagano, Orchestre De L'Opéra National De Lyon | F Major | 2 | 7B | 83 BPM | ||
| Balakirev: Embrace, Kiss | Mily Balakirev, Larissa Gergieva, Daniil Shtoda | D Major | 2 | 10B | 49 BPM |