"Pieces de Viole, Book 2, Suite No. 3: VIII. Rondeau Le Mont St. Remy" by Roland Marais, Petr Wagner, Ensemble Tourbillon had its release date on February 1, 2011. The duration of This song is about 3 minutes long, at 3:04. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 8 out of 30. On top of that, Germany appears to be the country where this track was created. Pieces de Viole, Book 2, Suite No. 3: VIII. Rondeau Le Mont St. Remy is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 3: VIII. Rondeau Le Mont St. Remy by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata à 2 in D Minor | Antonio Bertali, Ecco la musica | E♭ Major | 1 | 5B | 112 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| The First Tuning: III. Coranto | Alfonso Ferrabosco, Jordi Savall | F Major | 0 | 7B | 57 BPM | ||
| Suite En Si Mineur: Allemande, II.85 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 113 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
| Dowland: Lachrimae, or Seven Tears: No. 14, The Earl of Essex Galliard, P. 42 | John Dowland, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 24, Ballo detto Pollicio | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Viola da Gamba Suite in D Major: IX. Tempo di minuet | Carl Friedrich Abel, Paolo Pandolfo | F♯ Major | 1 | 2B | 117 BPM | ||
| Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act I: The Triumphing Dance | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 0 | 11A | 172 BPM | ||
| Pièce de théorbe et de luth: Gavotte / Manuscrit Parville: Gavotte | Robert de Visée, Nicolas Lebègue, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| Prelude in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Monteverdi: L'Orfeo, SV 318, Act 5: Moresca | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | G Major | 1 | 9B | 75 BPM | ||
| Suite En Si Mineur: Allemande, II.86 (Marais) | Jordi Savall, Rolf Lislevand, Xavier Diaz-Latorre, Philippe Pierlot, Pierre Hantaï | B♭ Minor | 2 | 3A | 146 BPM | ||
| Sonata in D-Dur, BuxWV 267: Sonata in D-Dur, BuxWV 267: IV. Solo-Allegro-Allegro-Presto | Dietrich Buxtehude, La Rêveuse, Emily Audouin, Florence Bolton, Benjamin Perrot | D♭ Major | 1 | 3B | 81 BPM | ||
| Pieces de Viole, Book 2, Suite No. 4: VII. Rondeau Le Balalud | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| Trio in D major / Ré majeur / D-dur: IV. Vivace | Georg Philipp Telemann, Freiburger Barockorchester, Petra Mullejans, Gottfried Von Der Goltz | D♭ Major | 1 | 3B | 176 BPM | ||
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| Couperin, F: Les goûts-réunis: Le Parnasse ou l'apothéose de Corelli: VI. Remerciment de Corelli | François Couperin, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 79 BPM | ||
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Pieces de Viole, Book 2, Suite No. 4: VI. Gavotte en Rondeau La Goiffon | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| Viola da Gamba Suite in D Major: IX. Tempo di menuet | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 146 BPM | ||
| Pieces de Viole, Book 2, Suite No. 2: III. Petit Rondeau Le Privat | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| Amor se questa sera | Francesca Campana, Les Kapsber'girls | F♯ Minor | 1 | 11A | 79 BPM |