"Tears to Rain" by Darshan Ambient had its release date on September 9, 2014. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Songs from the Deep Field". In this album, this song's track order is #10. Tears to Rain is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tears to Rain by Darshan Ambient having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| White Calm | Darshan Ambient | A♭ Major | 4 | 4B | 135 BPM | ||
| Full Circle | Erik Wøllo | F Minor | 4 | 4A | 120 BPM | ||
| Undulant Sea | Meg Bowles | E Minor | 3 | 9A | 91 BPM | ||
| Evidence Of Light | Darshan Ambient | A Major | 0 | 11B | 140 BPM | ||
| Eternal - Nature Version | Fumana, Floating Dreaming | C Major | 1 | 8B | 130 BPM | ||
| Deserted Boardwalk | Kai | E Minor | 3 | 9A | 83 BPM | ||
| Hallucinogen I (And Now We May Dream) | Deepspace | F Major | 1 | 7B | 173 BPM | ||
| Blue Stone | Manual | A♭ Minor | 0 | 1A | 64 BPM | ||
| Stille Samtykke | Sovemusikk Maestro | B♭ Minor | 2 | 3A | 134 BPM | ||
| When We Were Almost in Love | Zoranna Majic | A Minor | 0 | 8A | 82 BPM | ||
| Baseline | SOMA⚕️LABS | D Major | 2 | 10B | 63 BPM | ||
| October, Pt. 2 | Thom Brennan | F♯ Minor | 2 | 11A | 72 BPM | ||
| In Japa | Richard Bone | C Major | 1 | 8B | 184 BPM | ||
| This Luminous Space | Max Corbacho | B Minor | 2 | 10A | 67 BPM | ||
| Solaris | Chronotope Project | D Major | 2 | 10B | 72 BPM | ||
| Grey Sea | Darshan Ambient | F♯ Major | 0 | 2B | 139 BPM | ||
| Southbound Formations | Poemme | D♭ Minor | 0 | 12A | 141 BPM | ||
| Hills Of The Everlasting | Darshan Ambient | F♯ Major | 0 | 2B | 100 BPM | ||
| Quiet Current | Evan Shore | E Major | 2 | 12B | 105 BPM | ||
| Transcendental Overture (God Frequency) | donolee | E Major | 2 | 12B | 173 BPM | ||
| Beyond the Far Shore | Meg Bowles | B♭ Minor | 1 | 3A | 74 BPM | ||
| Tredde | Ian Burian | B♭ Major | 4 | 6B | 90 BPM | ||
| Swimming Cobalt Waters | Ambient Ashera | D♭ Minor | 1 | 12A | 66 BPM | ||
| Infinite | A Thousand Years Wide | C Minor | 2 | 5A | 133 BPM | ||
| Leirosa | Manual | A Major | 1 | 11B | 145 BPM |