Roland Marais, Petr Wagner, Ensemble Tourbillon's ' "Pieces de Viole, Book 2, Suite No. 3: II. Allemande La d'Haurincour" was released on its scheduled release date, February 1, 2011. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Pieces de Viole, Book 2, Suite No. 3: II. Allemande La d'Haurincour's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Roland Marais, Ensemble Tourbillon's "Marais: Pieces de Viole, Book 2" album is number 2 out of 30. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Pieces de Viole, Book 2, Suite No. 3: II. Allemande La d'Haurincour is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Pieces de Viole, Book 2, Suite No. 3: II. Allemande La d'Haurincour by Roland Marais, Petr Wagner, Ensemble Tourbillon to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | F♯ Major | 1 | 2B | 105 BPM | ||
| Violin Sonata No. 6 in C Minor, C. 143: I. [...] | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | A♭ Major | 1 | 4B | 78 BPM | ||
| Le Concert: Premier air | Mademoiselle Laurant, Sophie de Bardonnèche, Louise Ayrton, Marta Paramo, Clément Batrel-Genin, Hanna Salzenstein, Justin Taylor | F♯ Minor | 1 | 11A | 92 BPM | ||
| Suite in G Major: V. Capriccio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 80 BPM | ||
| Sonata & Suite in B-Dur, BuxWV 273: Sonata & Suite in B-Dur, BuxWV 273: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A Major | 3 | 11B | 91 BPM | ||
| Sonata in C Major for Bassoon and Continuo, FaWV N:C 1: II. Allegro | Johann Friedrich Fasch, Peter Whelan, Ensemble Marsyas | E Minor | 1 | 9A | 102 BPM | ||
| Les plaisirs de Versailles, H. 480: Overture | Marc-Antoine Charpentier, Boston Early Music Festival Chamber Ensemble, Paul O'Dette, Stephen Stubbs | F♯ Major | 1 | 2B | 112 BPM | ||
| Couperin, L: Fantaisie | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | E♭ Major | 2 | 5B | 85 BPM | ||
| Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
| Musique de table, Pt. I, Overture (Suite) in E Minor, TWV 55:E1: IV. Loure | Georg Philipp Telemann, Orchestra of the Golden Age | A♭ Major | 0 | 4B | 115 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Divine lodi musicali, Book 3: No. 39, Sonata à 4 | Giovanni Battista Riccio, Ecco la musica | B♭ Minor | 0 | 3A | 97 BPM | ||
| Concerto grosso No. 2 in G Major: IV. Vivace (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 183 BPM | ||
| Diporti di Euterpe, Op. 7: No. 4, Lagrime mie, lamento | Barbara Strozzi, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | ||
| Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM | ||
| Pieces de Viole, Book 2, Suite No. 2: VI. Gavotte L'Arnold | Roland Marais, Petr Wagner, Ensemble Tourbillon | A Major | 1 | 11B | 113 BPM | ||
| 12 Trio Sonatas, Op. 2, No. 12 in G Major: I. Ciaccona. Largo - Allegro | Arcangelo Corelli, Eun-Shik Kim, Ryo Terakado, François Guerrier, Kaori Uemura | F♯ Major | 2 | 2B | 122 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Sonata sesta a 4 Viole da gamba | Giovanni Legrenzi, Jordi Savall | E Minor | 1 | 9A | 119 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| La stravaganza, Op. 4, Violin Concerto No. 6 in G Minor: II. Largo | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | D♭ Minor | 0 | 12A | 121 BPM | ||
| Purcell: Dido and Aeneas, Z. 626, Act 3: The Witches’ Dance | Henry Purcell, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 0 | 11A | 172 BPM |