On 1982, the song "How Can You Love Me" was released by Ambrosia. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Road Island (US Internet Release)". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, How Can You Love Me's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With How Can You Love Me by Ambrosia having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| LOVE LIKE A WHEEL | Marc Jordan | B♭ Minor | 6 | 3A | 129 BPM | ||
| Cryin' in the Rain | Ambrosia | E♭ Minor | 7 | 2A | 112 BPM | ||
| Waking and Dreaming | Orleans | A Major | 7 | 11B | 93 BPM | ||
| I'd Rather Be Gone | Finis Henderson | A Minor | 6 | 8A | 175 BPM | ||
| Waiting for the Day | Gerry Rafferty | B♭ Major | 6 | 6B | 128 BPM | ||
| Can't Be Seen | Dane Donohue | B♭ Major | 7 | 6B | 86 BPM | ||
| Turning to You | Charlie | F♯ Minor | 7 | 11A | 143 BPM | ||
| Blind Feeling | Gary Wright | F Minor | 5 | 4A | 126 BPM | ||
| Night Full of Voices | Keats | F Minor | 5 | 4A | 123 BPM | ||
| Never Gonna Let You Go | David Roberts | D♭ Major | 6 | 3B | 94 BPM | ||
| Why Is It Me | England Dan & John Ford Coley | F♯ Minor | 4 | 11A | 117 BPM | ||
| Uptown Downtown | Sea Level | A Minor | 7 | 8A | 123 BPM | ||
| Nothing to It | Starbuck | B Minor | 6 | 10A | 107 BPM | ||
| FM | Steely Dan | B Minor | 6 | 10A | 110 BPM | ||
| Savannah Nights | Tom Johnston | D♭ Minor | 7 | 12A | 118 BPM | ||
| Heart Hotels | Dan Fogelberg | C Major | 3 | 8B | 98 BPM | ||
| Nathan Jones | Paul Davis | D Major | 9 | 10B | 150 BPM | ||
| True Love | Glenn Frey | C Major | 5 | 8B | 204 BPM | ||
| Sorry To Say | Lake | E♭ Major | 6 | 5B | 183 BPM | ||
| I Can't Stand Still | Don Henley | D♭ Minor | 6 | 12A | 71 BPM | ||
| Bix | Airplay | E Minor | 5 | 9A | 79 BPM | ||
| Pretty Girl | Atlanta Rhythm Section | F♯ Minor | 4 | 11A | 112 BPM | ||
| Lose My Heart | Bob Welch | D♭ Major | 6 | 3B | 146 BPM | ||
| People of the South Wind | Kansas | A Minor | 9 | 8A | 137 BPM | ||
| Island Woman | Pablo Cruise | C Major | 5 | 8B | 127 BPM |