On October 6, 2011, the song "Adeus até um Outro Dia" was released by Rosa Negra. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Adeus até um Outro Dia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 13 in Fado Mutante by Rosa Negra. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. In terms of popularity, Adeus até um Outro Dia is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Adeus até um Outro Dia by Rosa Negra is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dia de Passeio | Rio Grande | E Major | 3 | 12B | 98 BPM | ||
| Teus Olhos São Dois Garotos | Manuel De Almeida | B♭ Major | 4 | 6B | 121 BPM | ||
| Saudade vai-te embora | Fernanda Maria | G Major | 4 | 9B | 126 BPM | ||
| A Canção Da Rosa Branca | António Pinto Basto | E Major | 3 | 12B | 82 BPM | ||
| Dona do meu nariz | Maria Emília | B♭ Major | 3 | 6B | 128 BPM | ||
| Deserto de Rosas | Rui Filipe, Rosa Negra | C Major | 2 | 8B | 75 BPM | ||
| Receitas Contra Amores Sardaniscas | Inês de Vasconcellos | G Major | 6 | 9B | 92 BPM | ||
| Poetas | Mariza | G Major | 2 | 9B | 128 BPM | ||
| O Namorico da Rita | Katia Guerreiro | E Major | 3 | 12B | 102 BPM | ||
| Silêncio, Ternura E Fado | António Rocha | G Minor | 3 | 6A | 110 BPM | ||
| Tirai os Olhos de Mim | Ricardo Ribeiro | D Minor | 5 | 7A | 168 BPM | ||
| Trindade Popular | Lucília Do Carmo | A♭ Major | 2 | 4B | 127 BPM | ||
| Saudade, Silêncio E Sombra | Teresa Tarouca | D Minor | 2 | 7A | 111 BPM | ||
| Canto de Penumbra | Rosa Negra | B♭ Minor | 6 | 3A | 140 BPM | ||
| Tempo de Gaivotas | Marino de Freitas, Linda Leonardo | D Minor | 4 | 7A | 148 BPM | ||
| Depois de Ti (with João Paulo Esteves da Silva & Jarrod Cagwin) | Ricardo Ribeiro, Jarrod Cagwin, João Paulo Esteves da Silva | F♯ Minor | 6 | 11A | 104 BPM | ||
| Moreninha da travessa | Ricardo Ribeiro | D Major | 4 | 10B | 106 BPM | ||
| Foi a travessa da palha | Lucilla Do Carmo | C Major | 4 | 8B | 166 BPM | ||
| Fado Adivinha II | Mísia | E Major | 3 | 12B | 135 BPM | ||
| Má Sorte | Ricardo Ribeiro | E Minor | 4 | 9A | 111 BPM | ||
| Mestre Alentejano | António Pinto Basto | E Major | 4 | 12B | 131 BPM | ||
| Espaco Infinito | Maria de Barros | A♭ Minor | 3 | 1A | 114 BPM | ||
| Loucura | Mariza | E♭ Minor | 2 | 2A | 117 BPM | ||
| Balada para uma boneca de capelista | Carla Pires | A Major | 1 | 11B | 161 BPM | ||
| Lá Vai A Rosa Maria | Lucília Do Carmo | A Major | 5 | 11B | 92 BPM |