"Traitor - Strings version" by Ryuichi Sakamoto had its release date on November 25, 2017. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "The Fortress (Original Motion Picture Soundtrack)". In this album, this song's track order is #22. In terms of popularity, Traitor - Strings version is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traitor - Strings version by Ryuichi Sakamoto having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Drive My Car (the important thing is to work) | Eiko Ishibashi | B Major | 4 | 1B | 132 BPM | ||
| ジブラルタルの風 | Takashi Kako | G Minor | 1 | 6A | 81 BPM | ||
| Rikka | MEITEI | F♯ Major | 7 | 2B | 113 BPM | ||
| We'll live through the long, long days, and through the long nights (Oto) | Eiko Ishibashi | A♭ Major | 0 | 4B | 125 BPM | ||
| Human Universe | Hayato Sumino | F Major | 2 | 7B | 106 BPM | ||
| Across The Ocean | Christopher Bear, Daniel Rossen | A♭ Minor | 2 | 1A | 84 BPM | ||
| Romance | Yuhki Kuramoto | E Minor | 2 | 9A | 102 BPM | ||
| I Loves You Porgy | Keith Jarrett | F Major | 0 | 7B | 103 BPM | ||
| Normandia | Haruomi Hosono | F Major | 1 | 7B | 75 BPM | ||
| Scene I, Kyoto | Umitaro Abe | D Major | 1 | 10B | 169 BPM | ||
| Bibo No Aozora (Arr. for Guitar by Jonathan Bockelmann) | Ryuichi Sakamoto, Jonathan Bockelmann | A Minor | 2 | 8A | 160 BPM | ||
| ラビリンス (Thousand Tears Orchestra Instrumental) | Mondo Grosso | E♭ Minor | 1 | 2A | 112 BPM | ||
| haru | Fennesz, Ryuichi Sakamoto | B♭ Minor | 1 | 3A | 72 BPM | ||
| An Ending (Ascent) - Remastered 2005 | Brian Eno | A♭ Major | 1 | 4B | 67 BPM | ||
| Timeless | Keiichiro Shibuya | F♯ Minor | 4 | 11A | 71 BPM | ||
| Dawn After Darkness | Cicada | D♭ Major | 2 | 3B | 114 BPM | ||
| 鉄道員(Poppoya) | Taeko Onuki, Ryuichi Sakamoto | F♯ Minor | 0 | 11A | 74 BPM | ||
| De Luce et Umbra | Jóhann Jóhannsson, The Dirac Quartet | E Minor | 2 | 9A | 166 BPM | ||
| Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 135 BPM | ||
| energy flow - rework | U-zhaan, Ryuichi Sakamoto | C Major | 4 | 8B | 168 BPM | ||
| Till It Comes | the sleeping beauty | B♭ Major | 0 | 6B | 66 BPM | ||
| A Pile of Dust | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | A♭ Major | 1 | 4B | 81 BPM | ||
| "β" 1 | Masashi Hamauzu, Hikaru Shirosu | D Major | 1 | 10B | 75 BPM | ||
| Re | Nils Frahm | F♯ Minor | 1 | 11A | 109 BPM | ||
| Ambre | Nils Frahm | D♭ Major | 1 | 3B | 146 BPM |