Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood's '4 Morceaux, Op. 82: No. 3, Mélodie. Moderato' had a release date set for December 4, 2015. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood's "Moszkowski: Works for Violin & Piano" album is number 8 out of 18. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 4 Morceaux, Op. 82: No. 3, Mélodie. Moderato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 4 Morceaux, Op. 82: No. 3, Mélodie. Moderato by Moritz Moszkowski, Nazrin Rashidova, Daniel Grimwood to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
| Sérénade, Op. 29 | Cécile Chaminade, Eric Parkin | D Major | 0 | 10B | 70 BPM | ||
| 15 Virtuosity Studies, Op. 72 “Per Aspera”: XIV. C Minor | Moritz Moszkowski, Alain Raës | C Minor | 1 | 5A | 99 BPM | ||
| Mélancolie | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 70 BPM | ||
| Anton Notenquetscher - Musical Parodies: Theme | Alexander Moszkowski, Moritz Moszkowski, Christof Keymer | G Major | 1 | 9B | 128 BPM | ||
| Elgar: Serenade for Strings, Op. 20: II. Larghetto | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | C Major | 1 | 8B | 72 BPM | ||
| Prelude in C-Sharp Minor, Op. 3, No. 2 | Ian Hobson | A Major | 1 | 11B | 104 BPM | ||
| Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
| Spanish Dances, Op. 12, Book 1: No. 2 in G major | Moritz Moszkowski, London Symphony Orchestra, Ataúlfo Argenta | G Major | 1 | 9B | 89 BPM | ||
| Introduction And Allegro For Harp, String Quartet, Flute And Clarinet | Maurice Ravel, Nash Ensemble, Skaila Kanga, Philippa Davies, Michael Collins | E♭ Minor | 1 | 2A | 70 BPM | ||
| Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
| 5 Spanische Tänze, Op. 12: V. Bolero. Con spirito | Moritz Moszkowski, Domenico Monaco, Michele Solimando | A Major | 1 | 11B | 117 BPM | ||
| Pelléas et Mélisande, Op.80: 2. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 88 BPM | ||
| 18 Études, Op. 109: No. 13, L'orage | Friedrich Burgmüller, Carl Petersson | D Minor | 1 | 7A | 85 BPM | ||
| Nocturne in D-Flat Major, Op. 8 | Sergei Lyapunov, Elena Gaponenko | D♭ Major | 1 | 3B | 59 BPM | ||
| 3 Violin Duets (1996 Digital Remaster): I. Praeludium | Pinchas Zukerman, Itzhak Perlman | B Minor | 1 | 10A | 91 BPM | ||
| 8 Easy Pieces, Op. 43: No. 1, Prélude | Reinhold Glière, Alton Chung Ming Chan | D♭ Major | 0 | 3B | 66 BPM | ||
| Beach: Romance for Violin and Piano, Op. 23 | Amy Beach, Augustin Hadelich, Orion Weiss | A Major | 1 | 11B | 84 BPM | ||
| Etude for the Left Hand in A-Flat Major, Op. 36 | Felix Blumenfeld, Luke Faulkner | A♭ Major | 2 | 4B | 75 BPM | ||
| 15 Virtuosity Studies, Op. 72 “Per Aspera”: VIII. C Major | Moritz Moszkowski, Alain Raës | C Major | 3 | 8B | 77 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | G Major | 1 | 9B | 121 BPM | ||
| Allegro molto agitato in D Minor | Fanny Mendelssohn, Heather Schmidt | D Major | 1 | 10B | 111 BPM | ||
| Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM |