Fernando Lerman, Raúl Carnota, Alejandro Devries's ' "Viejo Bombo Santiagueño" was released on its scheduled release date, February 28, 1990. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Viejo Bombo Santiagueño's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Rescate de la isla de los 80´s". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Argentina. Based on our statistics, Viejo Bombo Santiagueño's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Viejo Bombo Santiagueño by Fernando Lerman, Raúl Carnota, Alejandro Devries having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cananéia | Chiquinha Gonzaga, Ana Fridman | F Minor | 1 | 4A | 131 BPM | ||
| Vuggesang - Instrumental | Finn Poulsen | E Minor | 0 | 9A | 180 BPM | ||
| Cristo Está no Barco | moacir báia | A Major | 3 | 11B | 77 BPM | ||
| Tico Tico No Fubá | Altamiro Carrilho, Sebastiao Tapajós, Gilson Peranzzetta, Mauricio Einhorn | C Major | 6 | 8B | 133 BPM | ||
| El amor bonito | ANTONELLABEATZ | D♭ Minor | 8 | 12A | 80 BPM | ||
| New Orleans | Ron Korb | C Major | 6 | 8B | 95 BPM | ||
| Campfire Guitar | Resonique | F Major | 5 | 7B | 134 BPM | ||
| Minidanza del siglo XX - Nº 3 | Antonio Chover Salom, Carlos Blanco Ruiz | E Major | 0 | 12B | 77 BPM | ||
| Those Wild Flower | Nathan Blake | C Major | 2 | 8B | 114 BPM | ||
| Chaque fois que je ferme mes yeux | Billy Thompson | C Major | 4 | 8B | 139 BPM | ||
| Milonga de Oliverio Girondo - Tres músicas recicladas vol.2 | Auros dúo, Alejandro Rivas Pinto, Karem Ruiz Martinez, Leonora Letelier, Fernando Lerman | F♯ Minor | 3 | 11A | 130 BPM | ||
| Por Bacherías | Beto Stocker | A Major | 4 | 11B | 125 BPM | ||
| Not Forgotten | Oregon, Paul McCandless, Ralph Towner, Mark Walker, Paolino Dalla Porta | C Minor | 2 | 5A | 134 BPM | ||
| Matias Piégari, Aires Argentinos: II. Aires de Tonada | Saxofones del DAMus, Fernando Lerman, PRODAMus | B Major | 1 | 1B | 177 BPM | ||
| Espacio Interior | Fernando Lerman, Alejandro Manzoni | C Major | 6 | 8B | 141 BPM | ||
| Days Gone By | Moreno Viglione | G Minor | 3 | 6A | 66 BPM | ||
| La partida | Raul Barboza, Daniel Colin, Dominique Cravic, Claire Elzière, Grégory Veux, Laurent Larcher | F Major | 3 | 7B | 112 BPM | ||
| デリカテッセン | Hiroaki Matsuno | B♭ Major | 3 | 6B | 95 BPM | ||
| Andorinha | João Moraes, Eduardo Neves | G Major | 3 | 9B | 84 BPM | ||
| La Leyenda del Grumete Genovés Que Desertó Frente a las Costas de Quilmes | Juan "Pollo" Raffo, Martín Rur, Tomás Pagano, Rodrigo Genni, Nora Sarmoria, Marcela Galván Alberti, Fernando Lerman | C Major | 5 | 8B | 79 BPM | ||
| Ña Lucia | Duratierra | G Major | 4 | 9B | 118 BPM | ||
| Cien Años | Baptiste Herbin, Minino Garay, Felipe Cabrera, Leonardo Montana | D Major | 2 | 10B | 96 BPM | ||
| No. 8 del Trémolo | Sai Conde | F♯ Minor | 3 | 11A | 130 BPM | ||
| O Sorriso de Fátima | Canhoto, Henrique Annes | C Major | 4 | 8B | 88 BPM | ||
| Invite Only | Le Jazz Manouche Troupe | F Major | 4 | 7B | 166 BPM |