Shabbir Kumar, Shailendra Singh's ' "Aale Re Aale" was released on its scheduled release date, September 9, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Laxmikant–Pyarelal's "Mar Mitenge" album is number 1 out of 6. On top of that, India appears to be the country where this track was created. In terms of popularity, Aale Re Aale is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Aale Re Aale by Shabbir Kumar, Shailendra Singh to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Yeh Duniya Yeh Mehfil - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | D Minor | 8 | 7A | 136 BPM | ||
| Zindagi Pyar Hai | Asha Bhosle, Shailendra Singh, Shabbir Kumar | D Major | 7 | 10B | 126 BPM | ||
| Devi Hi Pavali Vaat Mala Davili | Usha Mangeshkar, Shabbir Kumar | A♭ Major | 8 | 4B | 84 BPM | ||
| Jeena Nahi | Amit Kumar, Anuradha Paudwal | B♭ Minor | 6 | 3A | 103 BPM | ||
| Wafa Na Raas Aayee Tujhe O Harjaee | Nitin Mukesh | D♭ Major | 7 | 3B | 111 BPM | ||
| Pyar Kiya Nahin Jata - From "Woh 7 Din" | Lata Mangeshkar, Shabbir Kumar | A Minor | 7 | 8A | 81 BPM | ||
| Faasla to Hai | Altaf Raja | D♭ Minor | 4 | 12A | 146 BPM | ||
| Tum Mere Ho | Udit Narayan, Anupama | G Minor | 4 | 6A | 152 BPM | ||
| Bekadron Se Kar Ke Pyar | Sukhwinder Singh | D Major | 5 | 10B | 175 BPM | ||
| Mushkil Mein Hai Kaun Kisi Ka | S. P. Balasubrahmanyam, Laxmikant–Pyarelal | E Major | 8 | 12B | 168 BPM | ||
| Sapna Sapna Apna Hai | Nitin Mukesh, Chandrani Mukherjee, Shabbir Kumar | G Minor | 8 | 6A | 105 BPM | ||
| Zuba Zuba | Sapna Mukherjee | A♭ Major | 8 | 4B | 117 BPM | ||
| Hamare Baad | Udit Narayan, Shabbir Kumar, Sarika Kapoor, Ujwal | G Major | 6 | 9B | 142 BPM | ||
| Sanchi Kahe Toe Aavan Se | Jaspal Singh | A♭ Major | 7 | 4B | 104 BPM | ||
| Tak Dhina Din | Shabbir Kumar, Kanchan | G Minor | 5 | 6A | 102 BPM | ||
| Teri Mohabbat Meri Jawani | Salma Agha, Mohammed Aziz | D♭ Major | 6 | 3B | 100 BPM | ||
| Yara O Yara Teri Adaon | Devi | B♭ Minor | 7 | 3A | 100 BPM | ||
| Dil Jab Se Toot Gaya (From "Salaami") | Pankaj Udhas | G Minor | 6 | 6A | 99 BPM | ||
| Tu Kal Chala Jayega | Manhar Udhas, Mohammed Aziz, Laxmikant–Pyarelal | A♭ Minor | 8 | 1A | 151 BPM | ||
| Dil Ke Tukde Tukde Karke | K. J. Yesudas | D♭ Major | 4 | 3B | 109 BPM | ||
| Hum Tere Bin Kahin Reh Nahin Paate | Anuradha Paudwal, Manhar Udhas | A Minor | 5 | 8A | 126 BPM | ||
| Kal Saiyyan Ne Aisi Bowling Ki | Alisha Chinai | F♯ Minor | 7 | 11A | 115 BPM | ||
| Kya Khoob Lagti Ho | Mukesh, Kanchan, Kalyanji-Anandji | F♯ Major | 6 | 2B | 132 BPM | ||
| O Goriya Re | K. J. Yesudas | A Minor | 5 | 8A | 98 BPM | ||
| Jano Mere Jano | S. Janaki | B Minor | 6 | 10A | 82 BPM |