"Descending (From "Beneath the 12-Mile Reef")" by Bernard Herrmann, Charles Gerhardt, National Philharmonic Orchestra had its release date on 1974. With This song being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 14 in Classic Film Scores: Citizen Kane by Bernard Herrmann, Charles Gerhardt. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Descending (From "Beneath the 12-Mile Reef")'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Descending (From "Beneath the 12-Mile Reef") by Bernard Herrmann, Charles Gerhardt, National Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The New Godfather | Nino Rota, Carlo Savina | E Minor | 1 | 9A | 53 BPM | ||
| There Will Be Blood | Jonny Greenwood | G Major | 2 | 9B | 109 BPM | ||
| La notte muore (orchestra) | Sandro Brugnolini | F Major | 1 | 7B | 79 BPM | ||
| White Sands | Alessandro Alessandroni | B♭ Major | 5 | 6B | 76 BPM | ||
| Sophisticated July | Sandro Brugnolini, Luigi Malatesta, Franco Bixio | G Major | 2 | 9B | 81 BPM | ||
| Strip-Tease - From Attention les enfants regardent | Eric Demarsan, Harry Rabinowitz | E♭ Major | 2 | 5B | 67 BPM | ||
| Theme from Taxi Driver | Bernard Herrmann, Dave Blume | F Major | 4 | 7B | 164 BPM | ||
| Medley: Paris Montage | The Warner Bros. Studio Orchestra | D♭ Major | 4 | 3B | 88 BPM | ||
| Touching Hands | Sven Libaek | D Minor | 0 | 7A | 95 BPM | ||
| Miles and Maya | Rolfe Kent | G Minor | 0 | 6A | 65 BPM | ||
| Road to the West | SEATBELTS | B♭ Major | 2 | 6B | 104 BPM | ||
| Why Did She Choose You? (2nd Version) | Gato Barbieri | E♭ Major | 4 | 5B | 83 BPM | ||
| Marlowe's Theme (From "Farewell, My Lovely") | David Shire | F Minor | 2 | 4A | 82 BPM | ||
| The Dream | Bernard Herrmann Studio Orchestra, Bernard Herrmann | C Major | 2 | 8B | 101 BPM | ||
| Love Theme | Michael Small | C Major | 3 | 8B | 107 BPM | ||
| Libidine 12 | Nora Orlandi, Stelvio Cipriani | C Minor | 2 | 5A | 136 BPM | ||
| Maquillage | Stelvio Cipriani | A Major | 3 | 11B | 145 BPM | ||
| Vertigo Suite - Theme from "Vertigo" Original Soundtrack | Bernard Herrmann | C Minor | 1 | 5A | 79 BPM | ||
| Theme d'amour | Martial Solal | C Major | 2 | 8B | 131 BPM | ||
| Tell Me When | Gerry Mulligan Sextet | D♭ Major | 0 | 3B | 69 BPM | ||
| Contest Winners - Excerpt from Carrie | Orchestra Sinfonica Di Milano, Pino Donaggio | F Major | 2 | 7B | 136 BPM | ||
| New York Herald Tribune | Martial Solal | E Minor | 2 | 9A | 125 BPM | ||
| Puppet Love (From "Being John Malkovich") | Brussells Philharmonic, Dirk Brossé | E Minor | 2 | 9A | 138 BPM | ||
| Main Title (From "Rebel Without a Cause") | Leonard Rosenman | E Minor | 1 | 9A | 76 BPM | ||
| Overtones | Jonny Greenwood | C Major | 2 | 8B | 70 BPM |