"It Started At the Top" by Peter Nashel, Brian Deming had its release date on March 15, 2021. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Totally Under Control (Original Motion Picture Soundtrack)". In this album, this song's track order is #6. Based on our statistics, It Started At the Top's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With It Started At the Top by Peter Nashel, Brian Deming having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude to an Attack | Peter Nashel, Eric V. Hachikian | E Major | 2 | 12B | 128 BPM | ||
| Approaching Cambulac | Peter Nashel, Eric V. Hachikian | B Major | 2 | 1B | 103 BPM | ||
| The Chandrian | Mark Haas | G Major | 2 | 9B | 62 BPM | ||
| The Man Village | John Debney | F♯ Major | 0 | 2B | 87 BPM | ||
| Torn Apart | Dave Hahnall | F Major | 1 | 7B | 100 BPM | ||
| District 9 | Clinton Shorter | C Minor | 3 | 5A | 135 BPM | ||
| Namibia: The Lions and The Oryx | George Fenton | F Minor | 1 | 4A | 131 BPM | ||
| It is Coming at Dawn | Peter Nashel, Eric V. Hachikian | A Minor | 1 | 8A | 200 BPM | ||
| Subvoid Bloom | Lumen Sonico | E♭ Major | 3 | 5B | 95 BPM | ||
| Knowledge | Ceyran Huseynova, Feirn Mont | D♭ Major | 3 | 3B | 100 BPM | ||
| A Happy Family | The Flight, Mike Georgiades | A Minor | 1 | 8A | 80 BPM | ||
| Love Talk | Jose Carlos, Jose | D♭ Major | 2 | 3B | 105 BPM | ||
| Jungles (feat. The BBC Concert Orchestra and the UK Chinese Ensemble) | Barnaby Taylor, BBC Concert Orchestra, UK Chinese Ensemble | A Minor | 2 | 8A | 90 BPM | ||
| Kirin Hunt | Ilan Eshkeri | B♭ Major | 4 | 6B | 75 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| Warlock | Cavid Babayev, Constalanta | C Major | 4 | 8B | 190 BPM | ||
| Streets of Pompeii | Clinton Shorter | F Major | 3 | 7B | 119 BPM | ||
| Into the West | Geoff Zanelli | F♯ Major | 0 | 2B | 120 BPM | ||
| The White Whale Chant | Roque Baños | A♭ Major | 2 | 4B | 78 BPM | ||
| The Army Ants | Steven Price | A♭ Major | 3 | 4B | 81 BPM | ||
| Ya Es Demasiado Tarde | Valores Especiales | A Minor | 2 | 8A | 135 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Beauty of Aguillus Sands | BBC Concert Orchestra, Sarah Class | C Major | 4 | 8B | 66 BPM | ||
| Cloud Atlas Opening Title | Tom Tykwer, Johnny Klimek, Reinhold Heil | D Minor | 3 | 7A | 140 BPM | ||
| Lake Neverland | Eldar Dadashov, Edmelody | E♭ Minor | 1 | 2A | 64 BPM |