Marc Aaron Jacobs, Zachary Aaron Golden's 'Crushing The Competition' had a release date set for September 19, 2019. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Crushing The Competition's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 10 in Culture Clash, Vol. 2 by Marc Aaron Jacobs, Zachary Aaron Golden. Crushing The Competition is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Crushing The Competition by Marc Aaron Jacobs, Zachary Aaron Golden is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capacity Max 6 Persons | Hannes De Maeyer, Ruben de Gheselle | E Minor | 0 | 9A | 173 BPM | ||
| Nitty Gritty | Ziggy | F Minor | 3 | 4A | 67 BPM | ||
| Will He Come | Harry Gregson-Williams, Rupert Gregson-Williams | E Minor | 3 | 9A | 132 BPM | ||
| A Lavish Affair | Daniel Pemberton | B♭ Minor | 4 | 3A | 170 BPM | ||
| Classic By Design | Paul Mottram | D Major | 3 | 10B | 80 BPM | ||
| Inspiring Ambient | Dmitriy Sevostyanov | C Minor | 1 | 5A | 160 BPM | ||
| Darkness Falls | Marc Aaron Jacobs | D♭ Major | 4 | 3B | 184 BPM | ||
| The Remsen | Carlos Rafael Rivera | C Minor | 1 | 5A | 83 BPM | ||
| Magical Celtic Tale | Dmitriy Sevostyanov | G Minor | 4 | 6A | 81 BPM | ||
| Deux frères | Christophe Julien | G Minor | 1 | 6A | 120 BPM | ||
| Run Into A.B. | Mark Mothersbaugh | A Major | 2 | 11B | 130 BPM | ||
| Troubled Heritage | Paul Mottram | A Major | 5 | 11B | 83 BPM | ||
| John Overwhelmed | Nathan Klein, F. Keane | F Minor | 3 | 4A | 139 BPM | ||
| Up to No Good | Alex Baranowski | F Major | 1 | 7B | 158 BPM | ||
| Julie's Theme | Alexandre Desplat | B♭ Major | 4 | 6B | 125 BPM | ||
| Le Chapeau De Carson | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
| Sisters | Martin Phipps | A Minor | 0 | 8A | 178 BPM | ||
| They Call It Nonsense | Bonn Fields | G Major | 1 | 9B | 172 BPM | ||
| La secrétaire | Jean-Michel Bernard | F♯ Minor | 1 | 11A | 130 BPM | ||
| Farewell | Nono | G Minor | 3 | 6A | 126 BPM | ||
| Professor T Main Titles | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Bowerbird | Nathan Klein, F. Keane | D♭ Minor | 1 | 12A | 164 BPM | ||
| The Gala Plan | Daniel Pemberton | D Minor | 8 | 7A | 124 BPM | ||
| I Just Might (Bruno Mars) | Piano Covers | F♯ Minor | 1 | 11A | 130 BPM | ||
| Aforementioned Love | Howard Harper-Barnes | D♭ Major | 1 | 3B | 81 BPM |