On January 1, 1990, the song "Lo Mío Es Amor" was released by Tony Vega. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Tony Vega's "Lo Mio Es Amor" album is number 1 out of 8. On top of that, United States appears to be the country where this track was created. The popularity of Lo Mío Es Amor is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lo Mío Es Amor by Tony Vega to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Frío en Mí | Los Alfa 8 | F Minor | 9 | 4A | 92 BPM | ||
| Derroche | Raulin Rosendo | E Minor | 7 | 9A | 160 BPM | ||
| Sigo Amándote | Aldo Matta | C Minor | 7 | 5A | 85 BPM | ||
| Ser Amantes | Paquito Guzman | G Major | 9 | 9B | 93 BPM | ||
| Mucho O Nada | Ángel Gabriel | C Major | 4 | 8B | 165 BPM | ||
| Esa Mujer | Mariano Civico | C Major | 6 | 8B | 93 BPM | ||
| Que Pasa Contigo | Willie Rosario, Gilberto Santa Rosa | A♭ Major | 9 | 4B | 90 BPM | ||
| Amigos | Cheo Andujar | G Major | 6 | 9B | 90 BPM | ||
| Nunca Te Diré Adiós | Max Torres | C Major | 6 | 8B | 142 BPM | ||
| Todo Me Huele A Ti | Rubby Haddock and Orchesta | D Major | 5 | 10B | 172 BPM | ||
| Daría El Alma | Wichy Camacho | D Major | 7 | 10B | 166 BPM | ||
| Entre La Espada y La Pared | Nino Segarra | C Major | 7 | 8B | 156 BPM | ||
| Nunca Te Falle | Anthony Cruz | C Major | 5 | 8B | 92 BPM | ||
| Te Vas De Mi | Sonora Ponceña | F Major | 5 | 7B | 178 BPM | ||
| Donde Estaras | Ray Sepulveda | E Minor | 7 | 9A | 92 BPM | ||
| La Fuga - En Vivo | Luisito Carrion | A Major | 8 | 11B | 151 BPM | ||
| Como Te Hago Entender | Roberto Roena Y Su Apollo Sound | F Minor | 6 | 4A | 84 BPM | ||
| Hoy | Tony Vega | F Minor | 7 | 4A | 185 BPM | ||
| Fondo y Forma | La Suprema Corte | D♭ Major | 9 | 3B | 83 BPM | ||
| Hoy | Tony Vega | A Minor | 7 | 8A | 94 BPM | ||
| Se Me Sigue Olvidando | Marc Anthony | C Major | 9 | 8B | 86 BPM | ||
| Maria Teresa y Danilo | Hansel Y Raul | A Minor | 7 | 8A | 162 BPM | ||
| Te Transformas | Frankie Hernandez y su Orquesta | C Major | 9 | 8B | 96 BPM | ||
| Probablemente | Yiyo Sarante | G Major | 7 | 9B | 170 BPM | ||
| O Me Quieres o me Dejas | Ray De La Paz | F Minor | 5 | 4A | 95 BPM |