"Dieu la gard la bergerotte (Improvisation polyphonique)" by Anonymous, Obsidienne, Emmanuel Bonnardot had its release date on 2003. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Dieu la gard la bergerotte (Improvisation polyphonique)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 48 in Chansons de la Renaissance by Obsidienne, Emmanuel Bonnardot. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Dieu la gard la bergerotte (Improvisation polyphonique)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dieu la gard la bergerotte (Improvisation polyphonique) by Anonymous, Obsidienne, Emmanuel Bonnardot is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass of the Day: Trope: Ecce Nomen Domini (Mode V)[].wav | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | B Minor | 2 | 10A | 78 BPM | ||
| Of Thy Mystical Supper | Cappella | E Minor | 1 | 9A | 135 BPM | ||
| Ave verum corpus (Choir and Organ) | Wolfgang Amadeus Mozart, Choeur Mixte Trebevic/Josip Magdic | D Major | 1 | 10B | 68 BPM | ||
| Processio Aurorae | Choir Of St. Abuscus, Chants of Eternity | D Minor | 0 | 7A | 167 BPM | ||
| Compostela "Ad vesperas Sancti Iacobi": I. Hymnus peregrinorum "Dum pater familias" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | E Minor | 3 | 9A | 82 BPM | ||
| All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 1, Bless My Soul, O Lord | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | D Major | 2 | 10B | 79 BPM | ||
| Ars Longa Vita Brevis | Trio al Dente | F Major | 2 | 7B | 134 BPM | ||
| Alleluja - Justus Germinabit - I modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
| Vox in Tenebris | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | D Minor | 8 | 7A | 123 BPM | ||
| In Paradisum Voces | Cistercian Monks of Stift Heiligenkreuz, Magna Canta, Anonymous, Agnus Dei | F♯ Minor | 1 | 11A | 83 BPM | ||
| Antiphona: Gratias tibi Deus | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Missa Pro Defunctis - Sequentia | Jordi Savall, Cristobal de Morales | B♭ Major | 1 | 6B | 138 BPM | ||
| Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
| Angelorum Carmina | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | D Major | 0 | 10B | 71 BPM | ||
| Prosa: Gaude virgo salutata (Chant) | Anonymous, Anonymous 4 | B♭ Minor | 0 | 3A | 99 BPM | ||
| Gregorian Chant for the Dead: Libera me (Responsorium-prolixum) | Anonymous, Aurora Surgit, Alessio Randon | E Major | 0 | 12B | 73 BPM | ||
| S'io sedo a l'ombra, Amor | Marchetto Cara, Carolyn Sampson, Robert Meunier | C Major | 0 | 8B | 50 BPM | ||
| O quant qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
| Hymnus | The Benedictine Monks | B♭ Major | 1 | 6B | 137 BPM | ||
| Confitemini Domino, IAC 1 | Alessandro Constantini, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 133 BPM | ||
| Caelestis Harmonia | Cistercian Monks of Stift Heiligenkreuz, Magna Canta, Anonymous, Agnus Dei | D Minor | 2 | 7A | 110 BPM | ||
| Sequentia: Veni, Sancte Spiritus, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | A♭ Minor | 3 | 1A | 83 BPM | ||
| Ave Maris Stella - H. VII | Schola Gregoriana Mediolanensis & Giovanni Vianini | B♭ Major | 1 | 6B | 68 BPM | ||
| 432Hz Peaceful Templar Chant | Monks of St. Anthony's Greek Orthodox Monastery, Abraham Julius Martyn The Fifth | A Minor | 1 | 8A | 93 BPM | ||
| Gregorian Chant for the Dead: Ego sum Resurrectio (Antiphona) - Benedictus (Canticum) | Anonymous, Aurora Surgit, Alessio Randon | F♯ Major | 0 | 2B | 75 BPM |