Frédéric Chopin, Raoul Koczalski's 'Nocturnes, Op. 9: Nocturne in E-Flat Major, Op. 9 No. 2' had a release date set for January 1, 1936. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Chopin: Nocturne No. 2 in E-Flat Major, Op. 9 and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Nocturnes, Op. 9: Nocturne in E-Flat Major, Op. 9 No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nocturnes, Op. 9: Nocturne in E-Flat Major, Op. 9 No. 2 by Frédéric Chopin, Raoul Koczalski is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Etude in F Major, Op. 72, No. 6 | Moritz Moszkowski, Vladimir Horowitz | F Major | 0 | 7B | 133 BPM | ||
| Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
| Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Seong-Jin Cho | D Major | 1 | 10B | 130 BPM | ||
| Nocturnes n°8 en sol majeur pour servir de coda au cycle | Francis Poulenc, Alexandre Tharaud | G Major | 0 | 9B | 73 BPM | ||
| Nocturne No. 4 in E-Flat Major, Op. 36 | Gabriel Fauré, Jean Martin | E♭ Major | 0 | 5B | 62 BPM | ||
| Forgotten Melodies I, Op. 38: No. 6; Canzona Serenata | Nikolai Medtner, Dmitry Shishkin | B Major | 0 | 1B | 69 BPM | ||
| Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Heather Schmidt | B Minor | 3 | 10A | 87 BPM | ||
| Mahler Adagietto Variation (From Symphony No. 5 in C-Sharp Minor, Arr. for Violin and Piano by Jan-Peter Klöpfel) | Gustav Mahler, Gabriele Bagnati, Esther Abrami | F Major | 2 | 7B | 82 BPM | ||
| Scriabin: Fantasy in B Minor, Op. 28 | Alexander Scriabin, Elisabeth Leonskaja | B Minor | 2 | 10A | 67 BPM | ||
| Je te veux (Valse pour Piano) | Erik Satie, Klara Kormendi | C Major | 1 | 8B | 110 BPM | ||
| Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
| 4 Piano Pieces, Op. 119: No. 1, Intermezzo in B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| Satie: Parade: Prestidigitateur chinois | Erik Satie, Gautier Capuçon, Alexandre Tharaud | B Minor | 0 | 10A | 111 BPM | ||
| Glinka / Arr Balakirev : The Lark | Mikhail Glinka, Izumi Tateno | B♭ Minor | 1 | 3A | 65 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Adagio in E-Flat Major | Fanny Mendelssohn, Heather Schmidt | E♭ Minor | 0 | 2A | 90 BPM | ||
| 4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 70 BPM | ||
| New Birth | Hayato Sumino | C Major | 3 | 8B | 84 BPM | ||
| Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Krystian Zimerman | G Minor | 1 | 6A | 133 BPM | ||
| 4 Impromptus, Op. 142, D. 935: No. 2 in A-Flat Major: Allegretto | Franz Schubert, Krystian Zimerman | A♭ Major | 0 | 4B | 68 BPM | ||
| Arabeske, Op. 18 | Robert Schumann, Tiffany Poon | C Major | 0 | 8B | 104 BPM | ||
| Nocturne No. 3 In B, Op. 9 No. 3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
| Fantasiestücke, Op. 12: I. Des Abends | Robert Schumann, Daniel Barenboim | D Major | 2 | 10B | 136 BPM |