"Scherzetto" by Jean-Jacques Grunenwald, Daniel Roth had its release date on April 14, 2001. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Scherzetto's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Daniel Roth's "Great European Organs, Vol. 64: Saint-Sulpice, Paris" album is number 15 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Scherzetto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Scherzetto by Jean-Jacques Grunenwald, Daniel Roth to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charpentier: Beatus vir, H. 224: V. In memoria aeterna | Marc-Antoine Charpentier, Michel Corboz, Coro Gulbenkian, Orquestra Gulbenkian | B♭ Major | 2 | 6B | 90 BPM | ||
| Fanfare & Harm. 'Praise to the Lord, the Almighty' | Paul Fey | D Major | 2 | 10B | 66 BPM | ||
| Organ Suite No. 1: IV. Les divins espoirs | Jean-Jacques Grunenwald, Matthieu de Miguel | A Major | 0 | 11B | 68 BPM | ||
| Comelico Pass | Michelle Legauffe | C Major | 3 | 8B | 64 BPM | ||
| Diptyque liturgique: No. 1, Preces | Jean-Jacques Grunenwald, Karol Mossakowski | F Major | 1 | 7B | 84 BPM | ||
| Stabat Mater pour dix voix et basse continue: III. Quis non posset | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Minor | 1 | 11A | 74 BPM | ||
| Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
| The Mass: Credo - Remix | Patrick Cassidy, Laude, David Harris, Christoph Bull | D Minor | 1 | 7A | 75 BPM | ||
| La Messe: Livre d'orgue / Offertoire: Offertoire sur les grands jeux | Nicolas de Grigny, Jean-Jacques Grunenwald, Hugh Mackenzie, Choeur Des Moines De L'Abbaye De La Pierre-Qui-Vire, Pere Fulbert | G Minor | 2 | 6A | 82 BPM | ||
| Missa sopra Ecco si beato giorno: Agnus Dei I | Alessandro Striggio, Le Concert Spirituel, Hervé Niquet | E Major | 0 | 12B | 57 BPM | ||
| Eternal Father Strong to Save | Andrey Jackson | B Major | 0 | 1B | 72 BPM | ||
| Deutsche Messe, D. 872: III. Zum Evangelium und Credo. Nicht zu langsam | Franz Schubert, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | G Major | 1 | 9B | 131 BPM | ||
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| Charpentier: Beatus vir, H. 224: III. Potens in terra | Marc-Antoine Charpentier, Michel Corboz, Coro Gulbenkian, Orquestra Gulbenkian | E Minor | 0 | 9A | 75 BPM | ||
| Christus: VI. Choral "Er nimmt auf seinen Rücken" | Felix Mendelssohn, Laurence Equilbey, Accentus, Orchestre de chambre de Paris | D Minor | 2 | 7A | 121 BPM | ||
| Psalm 42, Op. 42, MWV A15: Coro "Was betrübst du dich" - Recitativo "Mein Gott, betrübt ist meine Seele" | Felix Mendelssohn, Eiddwen Harrhy, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | F♯ Major | 2 | 2B | 78 BPM | ||
| Durazzo Harbour | Marie Glacier | A Major | 1 | 11B | 56 BPM | ||
| Marta' s Greeting | Michelle Legauffe | C Major | 2 | 8B | 80 BPM | ||
| O nata lux de lumine | Thomas Tallis, Choir of Keble College, Oxford, Philip Stopford | G Minor | 0 | 6A | 83 BPM | ||
| Orgelkoraal Psalm 25, "Heer wijs mij toch zelf de wegen" - Instrumentaal | Jorrit Woudt | G Major | 1 | 9B | 116 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | ||
| Plsalm 130 - "De Profundis" in d moll, ZWV. 50 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | D♭ Minor | 1 | 12A | 63 BPM | ||
| Missa Salisburgensis, C App. 101: I. Kyrie | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel, Gabrieli, Paul McCreesh | C Major | 1 | 8B | 78 BPM | ||
| Inleidend Koraalspel Psalm 79 | Klaas Jan Mulder | G Major | 0 | 9B | 57 BPM | ||
| 7 Magnificat Antiphons: No. 1. O Weisheit | Arvo Pärt, Junger Kammerchor Rhein-Neckar, Mathias Rickert | D Major | 0 | 10B | 73 BPM |