"Hope The Hornblower" by John Ireland, BBC Concert Orchestra, Roderick Williams had its release date on January 1, 2007. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Sea Fever: Songs By British Composers". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Hope The Hornblower is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hope The Hornblower by John Ireland, BBC Concert Orchestra, Roderick Williams having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dream of Gerontius, Op. 38, Part I: No. 8, Rescue him, O Lord, in this his evil hour (Assistants) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, London Philharmonic Choir, Hallé Choir | D Major | 2 | 10B | 86 BPM | ||
| Materna Requiem: 10. In Paradisum: If I Should Go | Rebecca Dale, Kantos Chamber Choir, Clark Rundell | B♭ Major | 1 | 6B | 133 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Songs of Farewell: There is an Old Belief | Hubert Parry, Tenebrae, Nigel Short | G Major | 0 | 9B | 62 BPM | ||
| Requiem: Lux aeterna | John Rutter, Elin Manahan Thomas, Choir of Clare College, Cambridge, City of London Sinfonia, Timothy Brown | G Major | 0 | 9B | 127 BPM | ||
| Prelude: Allegro - Meno mosso - Alla breve (Allegro) - Adagio - | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 1 | 10B | 74 BPM | ||
| Serse, HWV 40, Act I: "Ombra mai fu" | George Frideric Handel, Cai Thomas, The Bourne Ensemble, Robert Lewis | G Major | 1 | 9B | 177 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
| Vespers (All-Night Vigil), Op. 37: V. Now Let Thy Servant Depart | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers, Karl Dent | B♭ Minor | 0 | 3A | 81 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | E♭ Major | 2 | 5B | 69 BPM | ||
| When Music Sounds: 5. I'll Sing | Rebecca Dale, Cantus Ensemble, The Studio Orchestra, Jeff Atmajian | F Major | 0 | 7B | 81 BPM | ||
| Evening Service in G Minor, Z. 231: II. Nunc dimittis | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | C Minor | 3 | 5A | 133 BPM | ||
| The Holy Boy: The Holy Boy | John Ireland, Sinfonia Of London, John Wilson | C Major | 1 | 8B | 100 BPM | ||
| Otche Nash (Our Father) | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
| Sing Praise to Our Creator | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| Materna Requiem: 4. Lacrimosa | Rebecca Dale, Hannah Dienes-Williams, Thelma Handy, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A♭ Major | 0 | 4B | 100 BPM | ||
| Quatre Motets sur des thèmes grégoriens pour choeur a cappella, Op.10: I. Ubi caritas | Maurice Duruflé, Mauruce Duruflé, Houston Chamber Choir, Robert Simpson | E♭ Major | 1 | 5B | 88 BPM | ||
| Songs of the Fleet, Op. 117: III. The Middle-Watch | Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales | G Major | 1 | 9B | 83 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| All-Night Vigil, Op. 37: XIII. The Troparion. "Today Salvation Has Come to the World" | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy | E Major | 1 | 12B | 123 BPM | ||
| Baptism (Arr. for Choir & Piano by Spencer Baldwin) | Crawford Gates, BYU Singers, James Monson | E♭ Major | 2 | 5B | 69 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| All-Night Vigil, Op.37: All-Night Vigil, Op.37: II. Praise the Lord, O my soul | Sergei Rachmaninoff, Estonian Philharmonic Chamber Choir, Paul Hillier | C Major | 0 | 8B | 77 BPM | ||
| Brewer: Nunc Dimittis in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 135 BPM |