Elliott Smith's ' "Kevin Devine on "Between the Bars"" was released on its scheduled release date, March 10, 2017. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 14 in Either/Or: Expanded Edition (Commentary Tracks) by Elliott Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Kevin Devine on "Between the Bars" is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Kevin Devine on "Between the Bars" by Elliott Smith is Grave (very slow), since this song has a tempo of 34 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lozenge of Love | Radiohead | G Major | 2 | 9B | 66 BPM | ||
| Nothing Left to Say | Tram | D Major | 5 | 10B | 112 BPM | ||
| Hey, Who Really Cares | Linda Perhacs | C Minor | 2 | 5A | 132 BPM | ||
| Punchdrunk Lovesick Singalong | Radiohead | C Major | 4 | 8B | 88 BPM | ||
| Good Morning, Captain | Slint | G Major | 5 | 9B | 188 BPM | ||
| Moon, I Already Know | Mount Eerie | B Minor | 1 | 10A | 126 BPM | ||
| Untitled # 2 | Birddog, Elliott Smith, Edith Frost, Paul K | C Major | 2 | 8B | 107 BPM | ||
| Clementine | Elliott Smith | A♭ Major | 2 | 4B | 90 BPM | ||
| I Kicked A Boy | The Sundays | G Major | 5 | 9B | 98 BPM | ||
| See You Later, I'm Gone | Robert Lester Folsom | G Major | 6 | 9B | 129 BPM | ||
| The Frontier Index | Silver Jews | E Minor | 6 | 9A | 103 BPM | ||
| Little Fat Baby | Sparklehorse | D Major | 3 | 10B | 137 BPM | ||
| Letting Go | Duster | D Major | 8 | 10B | 139 BPM | ||
| Alphabet Town | Elliott Smith | E Minor | 2 | 9A | 155 BPM | ||
| A Fond Farewell | Elliott Smith | F♯ Major | 4 | 2B | 122 BPM | ||
| Bullet Proof ... I Wish I Was | Radiohead | G Major | 4 | 9B | 81 BPM | ||
| Sail To The Moon | Radiohead | A Minor | 3 | 8A | 112 BPM | ||
| I'll Be Your Mirror | The Velvet Underground, Nico | G Major | 3 | 9B | 109 BPM | ||
| You're Beautiful | Mojave 3 | C Minor | 1 | 5A | 127 BPM | ||
| Twin Falls | Built To Spill | A Major | 3 | 11B | 115 BPM | ||
| Rest My Head Against The Wall | Heatmiser | B♭ Major | 4 | 6B | 82 BPM | ||
| Demons Sing Love Songs | Unwound | B♭ Major | 8 | 6B | 117 BPM | ||
| The Very Old Man | Hum | C Major | 0 | 8B | 131 BPM | ||
| She Only Knows | Starflyer 59 | F Major | 4 | 7B | 133 BPM | ||
| Angelina | Pinegrove | D♭ Major | 5 | 3B | 101 BPM |