- BPM
- 105
- Key
- F Minor
- Camelot
- 4A
End of Days by Daniel Perez, Lockdown Song Details
Daniel Perez, Lockdown's ' "End of Days" was released on its scheduled release date, August 6, 2020. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vocal Days by Daniel Perez, Lockdown. The song's track number on the album is #1 out of 3 tracks. In terms of popularity, End of Days is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
Since End of Days by Daniel Perez, Lockdown has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With End of Days being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -6.308 dB
- Acousticness
- 9%
- Danceability
- 48%
- Energy
- 75%
- Instrumentalness
- 0%
- Liveness
- 10%
- Loudness
- 89%
- Speechiness
- 7%
- Valence
- 50%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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| Paulus: I. Teil: Nr. 3 Rezitativ SB "Die Menge der Gläubigen" | Felix Mendelssohn, Matthias Goerne, Melanie Diener, Philippe Herreweghe | E Major | 2 | 12B | 143 BPM | |
 | I. Christ Lag In Todes Banden BWV 4, 5. Coro (Versus IV): Es War Ein Wunderlicher Krieg | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | I. Herr Jesu Christ, Du Höchstes Gut BWV 113, Coro: Herr Jesu Christ, Du Höchstes Gut | Pieter Jan Leusink, Ofer Frenkel, Peter Frankenberg, Sytse Buwalda, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Kate Clark | G Major | 2 | 9B | 124 BPM | |
 | Jesu, meine Freude, BuxWV 60: VI. Gute Nacht, ihr Sünden | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Caroline Weynants, Ensemble Masques, Olivier Fortin | E Minor | 0 | 9A | 125 BPM | |
 | Ballo detto 'Il Conde Orlando' | The Royal Wind Music | F♯ Major | 0 | 2B | 108 BPM | |
 | Concerto Armonico No. 3 in A Major: Vivace | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 133 BPM | |
 | III. Ich Hatte Viel Bekümmernis BWV 21, Prima Parte, 2. Coro: Ich Hatte Viel Bekümmernis | Pieter Jan Leusink, Will Wroth, Johann Sebastian Bach, Ruth Holton, Bas Ramselaar, Knut Schoch, Hendrik Jan Houtsma, Susan Williams, Peter Frankenberg, Frank Aarnink, Sytse Buwalda | B Minor | 1 | 10A | 80 BPM | |
 | Buxtehude: Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Christoph Prégardien, Peter Kooij, Amsterdam Baroque Orchestra | D♭ Minor | 1 | 12A | 97 BPM | |
 | Johannes-Passion, BWV 245, Pt. 1: XII. Und Hannas sandte ihn gebunden (Recitative) | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maximilian Schmitt, Philipp Kaven, Stephan Gähler | D Major | 1 | 10B | 70 BPM | |
| I. Christ Lag In Todes Banden BWV 4, 8. Choral (Coro) (Versus VII): Wir Essen Und Leben Wohl | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Bas Ramselaar, Sytse Buwalda, Johann Sebastian Bach, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | |
 | Overture in the French Style - Arr. for Two Oboes, Bassoon, Strings and Basso Continuo by Rinaldo Alessandrini | Rinaldo Alessandrini, Johann Sebastian Bach, Concerto Italiano | F♯ Major | 3 | 2B | 89 BPM | |
 | Matthäus-Passion, BWV 244, Seconda parte: Nr.33. Und wiewohl viel falsche Zeugen herzutraten (Evangelista, Testis I & II, Pontifex) | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Julian Prégardien, Tim Mead, Emiliano Gonzalez Toro, Christian Immler | A♭ Minor | 0 | 1A | 98 BPM | |
 | Suite No. 1: Courante | Suren Bagratuni | G Major | 2 | 9B | 138 BPM | |
| Johannes-Passion, BWV 245, Pt. 2: XIII. Die Kriegsknechte aber (Recitative) | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maximilian Schmitt, Krešimir Stražanac | D Major | 1 | 10B | 70 BPM | |
 | Ich steh mit einem Fuss im Grabe, BWV 156: Aria with Chorale. Ich steh mit einem Fuss im Grabe (Alto, Soprano) | Johann Sebastian Bach, Rachel Nicholls, Robin Blaze, Peter Kooij, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | B♭ Minor | 0 | 3A | 75 BPM | |
 | The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 8 in E flat minor, BWV 853 | Luc Beauséjour | D Minor | 4 | 7A | 65 BPM | |
 | Johann's Hidden Hollow: III. The Chase and Capture of the Little Witch (Version for Cello) | Sheli Nan, Ovidiu Marinescu | A♭ Major | 0 | 4B | 80 BPM | |
 | Sonata for Violin and Continuo in C Minor, BWV 1024: I. Adagio | Anonymous, Isabelle Faust, Kristin von der Goltz, Kristian Bezuidenhout | F♯ Minor | 3 | 11A | 105 BPM |
- ISRC
- QZK6P2082394
- Label
- L-M Records/RCA Records