Capriccio Espagnol, Op. 34: V. Fandango asturiano by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi Song Details

"Capriccio Espagnol, Op. 34: V. Fandango asturiano" by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi had its release date on January 1, 1988. The duration of This song is about 3 minutes long, at 3:05. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Rimsky-Korsakov: The Complete Symphonies; Russian Easter; Capriccio es". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Germany. Capriccio Espagnol, Op. 34: V. Fandango asturiano is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Capriccio Espagnol, Op. 34: V. Fandango asturiano by Nikolai Rimsky-Korsakov, Gothenburg Symphony Orchestra, Neeme Järvi having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 17%
Loudness: -16.113 dB
Acousticness: 78%
Danceability: 21%
Energy: 32%
Instrumentalness: 80%
Liveness: 8%
Loudness: 73%
Speechiness: 4%
Valence: 10%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Danse Diabolique	Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis	B♭ Major	4	6B	147 BPM
Wagner: Lohengrin, Act III: Prelude	Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra	G Major	3	9B	85 BPM
4 Dance Episodes from Rodeo: III. Saturday Night Waltz	Aaron Copland, Leonard Bernstein, New York Philharmonic	E♭ Major	1	5B	73 BPM
Symphonic Metamorphosis of Themes by Carl Maria von Weber: IV. Marsch	Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski	B♭ Major	3	6B	89 BPM
Ball-Szene	Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi	B Major	3	1B	116 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Presto	Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra	F Minor	2	4A	125 BPM
Pines Of Rome, P. 141: 2. The Pines Near A Catacomb	Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan	E Minor	0	9A	79 BPM
L'Arlésienne Suite No. 1, WD 40: 4. Carillon	Georges Bizet, Orchestre de Paris, Semyon Bychkov	E Major	0	12B	115 BPM
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	B♭ Major	3	6B	157 BPM
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen	Gustav Mahler, Leonard Bernstein, New York Philharmonic	A♭ Major	0	4B	72 BPM
The Planets, Op. 32: VI. Uranus, the Magician	Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington	C Major	3	8B	115 BPM
M. Glinka: Overture To Opera "Ruslan and Lyudmila"	Chicago Symphony Orchestra, L. Smit	A Major	1	11B	82 BPM
Overture "The Italian Girl in Algiers: Overture	Gioachino Rossini, Leonard Bernstein, New York Philharmonic	C Major	3	8B	79 BPM
Holberg Suite, Op. 40: II. Sarabande (Andante)	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A Major	1	11B	87 BPM
8 Slavonic Dances, Op. 46, B.83: No. 5 in A Major (Allegro vivace)	Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek	E Major	3	12B	142 BPM
Pictures At An Exhibition: Gnomus	Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini	B Major	0	1B	99 BPM
Symphony No. 2, Op. 30 "Romantic": III. Allegro con brio	Howard Hanson, Seattle Symphony Orchestra, Gerard Schwarz	D♭ Major	2	3B	128 BPM
8 Slavonic Dances, Op. 72, B. 147: 8. Sousedská. Grazioso e lento, ma non troppo, quasi tempo di valse	Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek	A♭ Major	1	4B	136 BPM
Simple Symphony, Op. 4: IV. Frolicsome Finale	Benjamin Britten, English Chamber Orchestra	G Major	4	9B	78 BPM
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt"	Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra	E♭ Major	0	5B	191 BPM
Violin Concerto, Op. 48: III. Vivace giocoso	Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch	A Minor	2	8A	90 BPM
Colas Breugnon Overture, Op. 24	Dmitry Kabalevsky, Kathryn Stott, Vassily Sinaisky, BBC Philharmonic Orchestra, BBC Philharmonic	F Major	3	7B	136 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
Egmont, Op. 84: Overture	Ludwig van Beethoven, George Szell, Cleveland Orchestra	A♭ Major	1	4B	83 BPM
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	D♭ Major	3	3B	99 BPM