South German Philharmonic's ' "Messiah, He Trusted In God That He Would Deliver Him" was released on its scheduled release date, April 1, 2010. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Messiah, He Trusted In God That He Would Deliver Him's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 100 World Classical Masterpieces, so we believe that "Messiah, He Trusted In God That He Would Deliver Him" is a single. In terms of popularity, Messiah, He Trusted In God That He Would Deliver Him is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Messiah, He Trusted In God That He Would Deliver Him by South German Philharmonic is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Vivaldi: Gloria in D Major, RV 589: XII. Cum Sancto Spiritu | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | D Major | 4 | 10B | 119 BPM | ||
| Klavierkonzert Nr. 2 c-Moll Op. 18: 3. Allegro scherzando (Auszug) (Das verflixte siebte Jahr): I. Moderato | Sergei Rachmaninoff, Jenő Jandó, Budapest Symphony Orchestra, György Lehel | C Minor | 0 | 5A | 84 BPM | ||
| Oboe Concerto in D Minor: ii. Adagio | Strings Of Zurich | D Minor | 0 | 7A | 69 BPM | ||
| König Stephan Ouvertuere op. 117 | Arturo Leonard, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 96 BPM | ||
| Rameau: Les Indes galantes, Quatrième entrée "Les sauvages": Air. "Régnez, plaisirs et jeux !" (Zima) | Jean-Philippe Rameau, Patricia Petibon, Les Folies Françoises, Patrick Cohën-Akenine | A Minor | 0 | 8A | 136 BPM | ||
| Albinoni: Violin Concerto in B-Flat Major, Op. 9 No. 1: II. Adagio | Tomaso Albinoni, Claudio Scimone, Piero Toso, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
| Concerto Grosso Op.25-1 F Major 'Watermusic Suite No.1': Bourree | I Musici Di San Marco, Alberto Lizzio | F Major | 3 | 7B | 117 BPM | ||
| Elijah, Op.70, MWV A25 / Part 1: "For He shall give His angels charge" | Felix Mendelssohn, Edinburgh Festival Chorus, Patricia Bardon, Renée Fleming, John Mark Ainsley, Libby Crabtree, Sara Fulgoni, John Bowen, Geoffrey Moses, Neal Davies, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Major | 2 | 9B | 62 BPM | ||
| Concerto a 5 in D Minor, Op. 9, No. 2 for Oboe, Strings and Continuo: 3. Allegro | Tomaso Albinoni, Heinz Holliger, I Musici, Maria Teresa Garatti | D Minor | 4 | 7A | 106 BPM | ||
| Traumerei Op.15/7 (Dreaming from Scenes From Childhood) | South German Philharmonic Orchestra | F Major | 0 | 7B | 136 BPM | ||
| Suite From Abdelzar: II. Air | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 92 BPM | ||
| Chopin: Waltz No. 6 in D-Flat Major, Op. 64 No. 1 "Minute" | Frédéric Chopin, Dmitri Alexeev | B♭ Major | 2 | 6B | 81 BPM | ||
| String Quartet No. 3, Op. 76 "Emperor": II. Menuett: Allegro | Joseph Haydn, Casper da Salo Quartet | F Major | 0 | 7B | 97 BPM | ||
| Il Talismano | Antonio Salieri, Slovak Radio Symphony Orchestra, Michael Dittrich | A Major | 2 | 11B | 122 BPM | ||
| Concerto in C Major für Viola und Orchester: I. Largo | Capella Istropolitana, Paul Kantschieder | G Major | 1 | 9B | 101 BPM | ||
| op. 46: I. Morning Mood: Peer Gynt Suite No.1 | Munich Philharmonic Orchestra, Paul Redinowski | E Major | 1 | 12B | 100 BPM | ||
| Vivaldi: Magnificat in G Minor, RV 610: VI. Esurientes | Antonio Vivaldi, Stephen Cleobury, Academy of Ancient Music, Deborah Norman, Sarah Fox | A Major | 2 | 11B | 100 BPM | ||
| Strauss, Johann II: Champagner-Polka, Op. 211 | Johann Strauss II, Wiener Johann Strauss Orchester, Willi Boskovsky | A♭ Minor | 0 | 1A | 201 BPM | ||
| Walzer, Nr. 14, E-Moll, op. posth. | Peter Schmalfuss | E Major | 1 | 12B | 88 BPM | ||
| Waltz in A Flat Major Op.39/15 | Royal Philharmonic Orchestra | A♭ Major | 0 | 4B | 118 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen | Johannes Brahms, Herbert von Karajan, Wiener Singverein, Berliner Philharmoniker | E♭ Major | 1 | 5B | 79 BPM | ||
| Water Music Suite #2 in D, Hwv 349 Alla Hornpipe | Adagio Quartet | D Major | 2 | 10B | 117 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
| L'Estro Armonico, Op. 3 - Concerto No. 9 in D Major for Violin and Strings, RV 230: I. Allegro | Janacek Chamber Orchestra, Bohuslav Matousek | D Major | 4 | 10B | 103 BPM | ||
| Consolations, S. 172: No. 3, Lento placido in D-Flat Major | Franz Liszt, Henrik Måwe | A♭ Major | 1 | 4B | 73 BPM |