Leoš Janáček, Mikhail Rudy's 'Janáček: In the Mists: III. Andantino' had a release date set for July 29, 2022. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Janáček: In the Mists: III. Andantino's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Mikhail Rudy's "Janáček: Piano Works" album is number 5 out of 29. On top of that, France appears to be the country where this track was created. Janáček: In the Mists: III. Andantino is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Janáček: In the Mists: III. Andantino by Leoš Janáček, Mikhail Rudy to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante | Edvard Grieg, Javier Perianes | E Minor | 0 | 9A | 166 BPM | ||
| Galuppi: Concerto a quattro No. 1 in G Minor: I. Grave e adagio | Baldassare Galuppi, Quartetto Italiano | B♭ Major | 2 | 6B | 92 BPM | ||
| Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
| Contes bleus, No. 2 Op. 122 | Cécile Chaminade, Eric Parkin | E♭ Major | 1 | 5B | 110 BPM | ||
| Lieder ohne Worte, Book 2, Op. 30: VI. Allegretto tranquillo "Venetianisches Gondellied", MWV U110 | Felix Mendelssohn, Javier Perianes | F♯ Minor | 0 | 11A | 61 BPM | ||
| Liszt: Liebesträume, S. 541: No. 3 in A-Flat Major, Oh Lieb, so lang du lieben kannst | Franz Liszt, Mariam Batsashvili | A♭ Major | 0 | 4B | 61 BPM | ||
| Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
| 9 Preludes, Op. 1: No. 2, Andante con moto | Karol Szymanowski, Paolo Ceccarini | G Minor | 0 | 6A | 72 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Ives / Orch. Brant: A Concord Symphony: III. The Alcotts | Charles Ives, Henry Brant, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 1 | 5B | 91 BPM | ||
| 3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | E♭ Major | 0 | 5B | 99 BPM | ||
| Jenufa / Act 1: Co to robis, mládku? | Leoš Janáček, Elisabeth Söderström, Peter Dvorsky, Marie Mrazova, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 2 | 11B | 94 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Chants du voyageur, Op. 8: No. 3, Melody in B Major | Ignacy Jan Paderewski, Mao Fujita | B Major | 0 | 1B | 65 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Ma mère l'oye, Suite, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Paul Lewis, Steven Osborne | C Major | 0 | 8B | 108 BPM | ||
| Valse lente | Germaine Tailleferre, Lang Lang | F♯ Minor | 0 | 11A | 80 BPM | ||
| Kinderszenen, Op. 15: XII. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
| Brahms: 3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor | Johannes Brahms, Piotr Anderszewski | D♭ Minor | 0 | 12A | 78 BPM | ||
| Nocturne No. 5 in B-Flat Major, H. 37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
| Una festa di villaggio, Op. 9, BV 185: No. 5, Danza | Ferruccio Busoni, Holger Groschopp | D Major | 0 | 10B | 74 BPM | ||
| 3 Mélodies, Op. 5: No. 3 in E-Flat Major, Andante soave | Fanny Mendelssohn, Pierpaola Porqueddu | E♭ Major | 1 | 5B | 74 BPM | ||
| Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
| Iberia, T. 105, Book 1: I. Evocación | Isaac Albéniz, Stephen Hough | A Major | 0 | 11B | 67 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM |