Richard Wagner, Metropolitan Opera Orchestra, Erich Leinsdorf, Marjorie Lawrence, Lotte Lehmann, Friedrich Schorr, Irene Jessner, Maxine Stellmann, Dorothee Manski, Do's 'Die Walküre: Fort denn, eile nach Osten gewandt!' had a release date set for October 1, 2021. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Die Walküre: Fort denn, eile nach Osten gewandt!'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 69 in Die Walküre by Richard Wagner, Lotte Lehmann, Marjorie Lawrence, Lauritz Melchior, Friedrich Schorr, Kertin Thorborg, Emanuel List, Winifred Heidt, Doris Doe, Maxine Stellmann, Thelma Votpka, Dorothee Manski, Irene Jessner, Lucielle Browning, Helen Olheim, Metropolitan Opera Orchestra, Erich Leinsdorf, Milton Cross, Serge Koussevitzky. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Die Walküre: Fort denn, eile nach Osten gewandt!'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Die Walküre: Fort denn, eile nach Osten gewandt! by Richard Wagner, Metropolitan Opera Orchestra, Erich Leinsdorf, Marjorie Lawrence, Lotte Lehmann, Friedrich Schorr, Irene Jessner, Maxine Stellmann, Dorothee Manski, Do is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | ||
| Tristan und Isolde, Act I: Prelude | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | A Major | 1 | 11B | 82 BPM | ||
| The Planets, Op. 32: VI. Uranus, the Magician | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | C Major | 3 | 8B | 58 BPM | ||
| Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester | E♭ Major | 1 | 5B | 113 BPM | ||
| Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM | ||
| Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denley, John | C Major | 3 | 8B | 125 BPM | ||
| Symphonie fantastique, H. 48: IV. Marche au supplice | Hector Berlioz, Orchestre de Paris, Klaus Mäkelä | G Minor | 3 | 6A | 77 BPM | ||
| Also sprach Zarathustra, Op.30, TrV 176: Prelude (Sonnenaufgang) | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 72 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
| Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: Der Held (the Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | F Major | 1 | 7B | 85 BPM | ||
| Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
| Carmina Burana / III. Cour d'amours: "Amor volat undique" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben | G Major | 0 | 9B | 92 BPM | ||
| Der Freischütz, J. 277, Act I: Viktoria! Viktoria! - Bauern-Marsch - Schau der Herr mich an als König! | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | D Major | 3 | 10B | 108 BPM | ||
| Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
| Tales from the Vienna Woods - Waltz Op. 325 | Johann Strauss II, Hallé, Bryden Thomson | F Major | 0 | 7B | 181 BPM | ||
| Requiem No. 1 in C Minor: Dies irae | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 137 BPM | ||
| Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
| Symphony No. 9 in E minor, Op. 95 "From the New World": 1. Adagio - Allegro molto | Antonín Dvořák, The Cleveland Orchestra, Christoph von Dohnányi | E Minor | 2 | 9A | 130 BPM | ||
| Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
| Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
| Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
| Wagner: Tannhäuser, Act 2: Einzug der Gäste | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | F Minor | 4 | 4A | 130 BPM | ||
| Pomp and Circumstance, Op. 39: March No. 1 in D Major | Edward Elgar, English String Orchestra, William Boughton | C Major | 3 | 8B | 111 BPM | ||
| Tristan und Isolde, WWV 90 / Act I: "Frisch weht der Wind der Heimat zu" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Peter Schreier, Wolfgang Windgassen, Eberhard Wächter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Karl Böhm | C Major | 1 | 8B | 78 BPM |