On October 10, 2006, the song "Midnight Strikes Too Soon" was released by Ellis Paul. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 24 out of 34 in Essentials by Ellis Paul. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Midnight Strikes Too Soon's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Midnight Strikes Too Soon by Ellis Paul is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Wine and Roses | Jeremy Kay | D Major | 4 | 10B | 129 BPM | ||
| Borrowed Time | Tom Martin | A♭ Major | 7 | 4B | 104 BPM | ||
| Way I Am | Martin Sexton | D♭ Major | 2 | 3B | 127 BPM | ||
| Hell or Highwater | David Duchovny | C Major | 8 | 8B | 204 BPM | ||
| We Should Always Be Together | Billy Goodrum | E Major | 4 | 12B | 89 BPM | ||
| Joanne | Skydiggers | G Major | 3 | 9B | 109 BPM | ||
| End the Distance | MC y sus amigos | G Major | 9 | 9B | 126 BPM | ||
| Different Drum | Susanna Hoffs, Matthew Sweet | C Major | 8 | 8B | 123 BPM | ||
| Look at the Wind Blow | Ellis Paul | A♭ Major | 4 | 4B | 75 BPM | ||
| Marc Chagall | Ellis Paul | F♯ Major | 4 | 2B | 80 BPM | ||
| Back Home | Chris Trapper | E Major | 6 | 12B | 98 BPM | ||
| Have A Little Faith In Me | John Hiatt | C Major | 3 | 8B | 157 BPM | ||
| Something to Believe In | Sister Hazel | E♭ Major | 7 | 5B | 112 BPM | ||
| The Right Place | Eddi Reader | A Major | 2 | 11B | 113 BPM | ||
| Cookie Jar | Mark Mulcahy | B Minor | 6 | 10A | 94 BPM | ||
| When My Fingers Find Your Strings | Jeff Daniels | G Major | 5 | 9B | 157 BPM | ||
| Live out the String | Marc Cohn | D♭ Major | 6 | 3B | 107 BPM | ||
| Always In Disguise | Peter Himmelman | D Major | 4 | 10B | 122 BPM | ||
| Be My Downfall | Del Amitri | G Major | 5 | 9B | 129 BPM | ||
| Heard Ya Talkin' | Jeremy Kay | D Major | 6 | 10B | 90 BPM | ||
| Polly Moore | The Dardanelles | G Major | 5 | 9B | 182 BPM | ||
| Instant Pleasure | Seth Swirsky | D Major | 9 | 10B | 100 BPM | ||
| Dig Down Deep | Marc Cohn | F Major | 3 | 7B | 82 BPM | ||
| A Minor Incident | Badly Drawn Boy | G Major | 4 | 9B | 171 BPM | ||
| Bad Moon Rising | Thea Gilmore | B♭ Major | 3 | 6B | 143 BPM |