Pierre Charles's ' "A Victim Road" was released on its scheduled release date, December 2, 2025. With This song being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Sean Combs: The Reckoning (Soundtrack from the Netflix Documentary Series)". In this album, this song's track order is #27. Based on our statistics, A Victim Road's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With A Victim Road by Pierre Charles having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Library | Nathan Micay | D Minor | 3 | 7A | 120 BPM | ||
| Self Defense - Bonus | Pierre Charles | E Minor | 3 | 9A | 128 BPM | ||
| Vivian Figures It Out | Kris Bowers, Pierre Charles | D Minor | 3 | 7A | 99 BPM | ||
| Wired in the Dark | Nicolas Errera | D Minor | 4 | 7A | 140 BPM | ||
| Pool Fight | Hildur Guðnadóttir | A Major | 4 | 11B | 100 BPM | ||
| Begin Again | Songs To Your Eyes | A Major | 4 | 11B | 100 BPM | ||
| Elixir | Bretolyx | A Minor | 0 | 8A | 72 BPM | ||
| Mantlepiece | Anne Nikitin | A Major | 4 | 11B | 100 BPM | ||
| Ending Titles | Heiko Maile | B♭ Major | 3 | 6B | 129 BPM | ||
| Brimora Depth | Quiet Latitude Space | A Major | 4 | 11B | 100 BPM | ||
| Eloquent Leader | Sofia degli Alessandri | F Major | 1 | 7B | 160 BPM | ||
| The Witness | Pierre Charles | C Minor | 1 | 5A | 102 BPM | ||
| Oversight and Accountability | Blair Mowat | G Major | 1 | 9B | 73 BPM | ||
| Dark Matter | Marcel Barsotti | F Minor | 1 | 4A | 78 BPM | ||
| Beverly Hills | Aysel Kazim, Selenay Kazim | C Minor | 3 | 5A | 85 BPM | ||
| The Tub Room | Mark Isham | A Major | 1 | 11B | 155 BPM | ||
| 7:00 A.M. | Gavin Brivik, Bryan Parker | A Major | 4 | 11B | 100 BPM | ||
| Morgue | Pierre Charles | E Minor | 3 | 9A | 128 BPM | ||
| Apariciones Repentinas | Hasta El Final | B♭ Major | 1 | 6B | 110 BPM | ||
| Eternal Recluse | Kyle Preston | A Minor | 2 | 8A | 91 BPM | ||
| End of Beginning | Naomi Chinenye, KOOKA | B Major | 5 | 1B | 100 BPM | ||
| Harlem | Pierre Charles | C Minor | 1 | 5A | 102 BPM | ||
| The Quiet Base | Inner Ground | A Major | 4 | 11B | 100 BPM | ||
| It's My Monster | Isabella Summers | G Major | 2 | 9B | 109 BPM | ||
| Look What Your Love Has Left Us | Jeff Danna | F♯ Minor | 0 | 11A | 95 BPM |