"バック・トゥ・ザ・フューチャー" by 栗コーダーカルテット had its release date on April 13, 2012. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ウクレレ栗コーダー2~UNIVERSAL 100th Anniversary~, so we believe that "バック・トゥ・ザ・フューチャー" is a single. バック・トゥ・ザ・フューチャー is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of バック・トゥ・ザ・フューチャー by 栗コーダーカルテット is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Bird | Acousphere | G Major | 3 | 9B | 96 BPM | ||
| 商店街で | Kaori Sawada | B♭ Major | 1 | 6B | 103 BPM | ||
| 十九の春 | South Pitch | E♭ Major | 2 | 5B | 134 BPM | ||
| 後に日本一の兵と呼ばれる男 | Takayuki Hattori | C Major | 3 | 8B | 139 BPM | ||
| ヨモギ | 金子 隆博 | D Major | 1 | 10B | 139 BPM | ||
| もんちゃん | Harumi Fuuki | E♭ Major | 1 | 5B | 115 BPM | ||
| トップヒエラルキー | Harumi Fuuki | C Major | 3 | 8B | 170 BPM | ||
| おしゃべりとマグカップ | Akiyuki Tateyama | G Major | 4 | 9B | 158 BPM | ||
| 100ユーロの出会い | Hideakira Kimura | A Major | 3 | 11B | 190 BPM | ||
| I am - 報道ステーション テーマ曲 | Manami Morita | B♭ Major | 6 | 6B | 107 BPM | ||
| ♯まめ夫 序曲 〜「大豆田とわ子と三人の元夫」 | Yuta Bandoh, Shun Ishiwaka, 須川 崇志, Ensemble FOVE, Masaki Hayashi | A♭ Minor | 6 | 1A | 144 BPM | ||
| いってらっしゃい | Test Flights | D Major | 4 | 10B | 121 BPM | ||
| Siesta - Variation 2 | Yuta Bandoh, 安達真理, Sae Higashi | B♭ Major | 0 | 6B | 33 BPM | ||
| 放課後の音楽室 | Gontiti | G Major | 1 | 9B | 81 BPM | ||
| カーネーション~メインテーマ~ | Naoki Sato | A Major | 3 | 11B | 109 BPM | ||
| New day | Kotringo | F♯ Minor | 4 | 11A | 186 BPM | ||
| どこで食う?何を食う? | The Screen Tones | A Major | 8 | 11B | 112 BPM | ||
| 弁護士事務所の日常 | Kaori Sawada | B Major | 2 | 1B | 103 BPM | ||
| Kyanpujou no theme motosuko | Akiyuki Tateyama | G Major | 2 | 9B | 119 BPM | ||
| テルーの唄(ゲド戦記) | Aun J-Classic Orchestra | G Minor | 1 | 6A | 66 BPM | ||
| 千のナイフと妖怪道中記 | SAKEROCK | A♭ Major | 6 | 4B | 119 BPM | ||
| 時代の変遷 | 柳川和樹 | D Major | 2 | 10B | 64 BPM | ||
| 遠くの友達 | 栗コーダーカルテット | G Major | 2 | 9B | 113 BPM | ||
| 休日の昼 | 廣瀬祐輝 | G Major | 8 | 9B | 125 BPM | ||
| ALWAYS 三丁目の夕日 - Opening Title | Naoki Sato | F Major | 1 | 7B | 64 BPM |