"Lo How a Rose e'er Blooming (Arr. L. Anderson)" by Michael Praetorius, College of New Jersey Wind Ensemble, William Silvester had its release date on September 6, 2011. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Lo How a Rose e'er Blooming (Arr. L. Anderson)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Winds of the Season by William Silvester. The song's track number on the album is #4 out of 27 tracks. Based on our data, United States was the country where this track was produced or recorded. Lo How a Rose e'er Blooming (Arr. L. Anderson) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lo How a Rose e'er Blooming (Arr. L. Anderson) by Michael Praetorius, College of New Jersey Wind Ensemble, William Silvester has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Lo How a Rose e'er Blooming (Arr. L. Anderson) being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Magnificat, P. 246 | Johann Pachelbel, Cantus Cölln, Konrad Junghanel | G Minor | 1 | 6A | 69 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Das neugeborne Kindelein, BuxWV 13 | Dietrich Buxtehude, Anna Gschwend, Lucia Napoli, Sören Richter, Christian Wagner, La Petite Bande, Sigiswald Kuijken | A♭ Minor | 1 | 1A | 89 BPM | ||
| Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 83 BPM | ||
| Evening Service in G Minor, Z. 231: No. 2, Nunc dimittis | Henry Purcell, Trinity Hall Chapel Choir, Cambridge, Andrew Arthur | A Minor | 1 | 8A | 79 BPM | ||
| O Radix Jesse | Rihards Dubra, Choir of Merton College, Oxford, Benjamin Nicholas | G Major | 2 | 9B | 128 BPM | ||
| Hymne à la vierge | Pierre Villette, Netherlands Chamber Choir, Peter Dijkstra | F Major | 1 | 7B | 121 BPM | ||
| Volte | Michael Praetorius, Antiquo More | C Major | 5 | 8B | 144 BPM | ||
| Quatre petites prières de Saint François d’ Assise: I. Salut Dame Sainte | Francis Poulenc, Netherlands Chamber Choir | C Minor | 3 | 5A | 133 BPM | ||
| Author of Light | Thomas Campion, Grace Davidson, Julian Perkins | G Major | 1 | 9B | 81 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 118 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| If ye love me | Thomas Tallis, Voices of Ascension Chorus, Dennis Keene | G Major | 1 | 9B | 64 BPM | ||
| The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | ||
| Schaffe in mir Gott ein rein Herz - Psalm 51, 12-14 | Athesinus Consort Berlin, Klaus-Martin Bresgott | G Major | 1 | 9B | 81 BPM | ||
| Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
| Preisung CXLVIII | Sjaella | A Minor | 1 | 8A | 137 BPM | ||
| Sacrarum concentuum: Sonata prima à due cori | Giovanni Priuli, L'Arpeggiata, Christina Pluhar | F Minor | 3 | 4A | 110 BPM | ||
| I Wonder As I Wonder | arr. John Jacob Niles, Octarium | A Minor | 4 | 8A | 66 BPM | ||
| The Seasons, The Winter: II. Aire | Christopher Simpson, Sophie Watillon, Friederike Heumann, Brian Franklin, Matthias Spaeter, Luca Guglielmi | D♭ Major | 1 | 3B | 104 BPM | ||
| Missa in A Major: IV. Sanctus - Benedictus | Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes | D♭ Major | 1 | 3B | 108 BPM | ||
| Vespers: Lord now lettest Thou Thy servant depart | Vladislav Germanovich Agafonnikov, Russia Spiritual Revival Choir, Lev Kontorovich | G Major | 0 | 9B | 130 BPM | ||
| O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
| Requiem: Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM |