"Masques et bergamasques Suite, Op. 112: IV. Pastorale" by Gabriel Fauré, RTE Sinfonietta, John Georgiadis had its release date on March 10, 1998. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 21 in FAURE: Orchestral Music by Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Masques et bergamasques Suite, Op. 112: IV. Pastorale is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Masques et bergamasques Suite, Op. 112: IV. Pastorale by Gabriel Fauré, RTE Sinfonietta, John Georgiadis is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): III. Le Jardin de Dolly | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 64 BPM | ||
| Tchaikovsky: String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile (Arr. Marriner for String Orchestra) | Pyotr Ilyich Tchaikovsky, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 60 BPM | ||
| String Quartet No. 2 in D: 3. Notturno | Alexander Borodin, Takács Quartet | A Major | 1 | 11B | 80 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Julian Lloyd Webber | F Major | 1 | 7B | 86 BPM | ||
| Pelleas and Melisande Suite, Op. 46, JS 147: V. Pastorale | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A♭ Major | 0 | 4B | 94 BPM | ||
| Symphony No. 1 in D Major "Titan": Ib. Immer sehr gemächlich | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 67 BPM | ||
| Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
| Symphony No. 1 in D Major "Titan": Ia. Langsam, schleppend | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D Minor | 0 | 7A | 74 BPM | ||
| Requiem, Op. 48: V. Pie Jesus | Gabriel Fauré, Christiane Oelze, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | B♭ Major | 0 | 6B | 79 BPM | ||
| L'Horloge de Flore: 3h - Galant de jour | Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | A Minor | 1 | 8A | 90 BPM | ||
| The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
| Fauré: Pavane, Op. 50 (Instrumental Version) | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
| Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM | ||
| Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, Tamsin Waley-Cohen, David Curtis, Orchestra of the Swan | E Minor | 1 | 9A | 87 BPM | ||
| Pavane, Op. 50 (Arr. for Saxophone and Orchestra) | Amy Dickson, Gabriel Fauré, London Session Orchestra, Chris Walden | F♯ Minor | 1 | 11A | 117 BPM | ||
| Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
| Miscellanea, Op. 16: No. 4, Nocturne in B-Flat Major | Ignacy Jan Paderewski, Jenny Lin | B♭ Minor | 0 | 3A | 73 BPM | ||
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| 4 Klavierstücke, Op.119: I. Intermezzo (Adagio) | Johannes Brahms, Philip Mayers, Daniel Reuss | D Major | 0 | 10B | 65 BPM | ||
| Valse triste, Op. 44 No. 1 | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | D♭ Major | 0 | 3B | 67 BPM | ||
| Kinderszenen | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 131 BPM | ||
| Henry V: "Touch her Soft Lips and Part" (1944) | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 98 BPM | ||
| 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM |