"Tannhäuser, Act III: Introduction. Tannhäuser's Pilgrimage" by Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz had its release date on October 6, 1988. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner, R.: Orchestral Highlights From Operas by Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz. The song's track number on the album is #5 out of 7 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Tannhäuser, Act III: Introduction. Tannhäuser's Pilgrimage is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tannhäuser, Act III: Introduction. Tannhäuser's Pilgrimage by Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tannhäuser, Act III: Introduction. Tannhäuser's Pilgrimage being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 4 in G Major | Edward Elgar, Sir Simon Rattle, Berliner Philharmoniker | C Major | 0 | 8B | 118 BPM | ||
| Mahler: Symphony No. 2 in C Minor "Resurrection": V. (f) Etwas bewegter. "O glaube, mein Herz !" | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker, Kate Royal, Magdalena Kožená, Rundfunkchor Berlin | F Minor | 0 | 4A | 145 BPM | ||
| Mussorgsky: Pictures at an Exhibition: X. The Great Gate of Kiev (Orch. Ravel, M. A 24) | Modest Mussorgsky, Herbert von Karajan, Philharmonia Orchestra | G Major | 3 | 9B | 79 BPM | ||
| Symphony In E Major, WWV 35: II. Adagio Cantabile | Richard Wagner, Tokyo Metropolitan Symphony Orchestra, Hiroshi Wakasugi | A Major | 0 | 11B | 70 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor | Antonín Dvořák, Sir Charles Mackerras, Philharmonia Orchestra | E Minor | 2 | 9A | 66 BPM | ||
| Wiener Blut, Op. 354 | Johann Strauss II, Vienna Volksoper Orchestra, Franz Bauer-Theussl | D Major | 2 | 10B | 93 BPM | ||
| Symphony No. 3 "Liturgique": I. Dies irae. Allegro marcato | Arthur Honegger, Berliner Philharmoniker, Herbert von Karajan | C Major | 6 | 8B | 143 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM | ||
| Tristan und Isolde, Act III: Prelude | Richard Wagner, Staatskapelle Dresden, Carlos Kleiber | F Minor | 0 | 4A | 73 BPM | ||
| Symphony No. 1 in C Minor, Op. 3, B. 9 - "The Bells of Zlonice": II. Adagio di molto | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | A♭ Major | 1 | 4B | 71 BPM | ||
| Also sprach Zarathustra, Op. 30: III. Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
| Aida: Danza Sacre delle Sacerdotesse | Giuseppe Verdi, Plácido Domingo, Metropolitan Opera Orchestra, Samuel Ramey, Aprile Millo, James Levine, Dolora Zajick, James Morris | C Major | 1 | 8B | 144 BPM | ||
| Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
| Verklärte Nacht, Op. 4 (Version for String Orchestra): II. Molto rallentando (Bar 100) | Arnold Schoenberg, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 86 BPM | ||
| Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM | ||
| Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM | ||
| Pictures at an Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
| Parsifal, Act I: Titurel, der fromme Held – Vor allem nun: die Speer kehr' uns zurück | Richard Wagner, Marjon Lambriks, Anne Gjevang, Heiner Hopfner, Kurt Moll, Georg Tichy, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 71 BPM | ||
| Aida: Preludio | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
| Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
| Handel: Concerto a due cori No. 1 in B-Flat Major, HWV 332: I. Overture - Allegro ma non troppo | George Frideric Handel, Leslie Pearson, Menuhin Festival Orchestra, Yehudi Menuhin | F Major | 1 | 7B | 135 BPM | ||
| Fontane di Roma, P. 106: III. La fontana di Trevi al meriggio | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | G Minor | 1 | 6A | 105 BPM | ||
| Capriccio Espagnol, Op. 34: II. Variazioni | Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel | G Major | 2 | 9B | 74 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Zweiter Teil: IX. Gerettet ist das edle Glied der Geisterwelt vom Bösen | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin | E♭ Major | 2 | 5B | 133 BPM | ||
| Bizet: Carmen, Act 1: Entr'acte | Georges Bizet, Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | G Major | 0 | 9B | 114 BPM |