On June 13, 1989, the song "Esaa Thok De Nalka" was released by Devkumar Ghayal, Geeta Rani. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Thok De Nalka". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Esaa Thok De Nalka is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Esaa Thok De Nalka by Devkumar Ghayal, Geeta Rani having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mun Katha Ta Deichi | Subash Dash | A♭ Minor | 6 | 1A | 82 BPM | ||
| Tangra Tabu Katan Jay | Gostho Gopal Das | G Minor | 5 | 6A | 151 BPM | ||
| Kaisa Laga Goriye | Karnail Rana | E Major | 5 | 12B | 89 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM | ||
| Rajsa Javli Jara Basa | Lata Mangeshkar | B♭ Minor | 5 | 3A | 111 BPM | ||
| Nazar Mujhse | Ahmed Hussain, Mohammed Hussain | A♭ Minor | 4 | 1A | 154 BPM | ||
| Dol Dolatay Varyav | Shrikant Narayan, Veena Bamne | F♯ Major | 7 | 2B | 82 BPM | ||
| Khayesta Makh Pa Kato Marega Na | Sardar Ali Takkar | F Major | 5 | 7B | 56 BPM | ||
| Chandrabhage Tiri Pandhari | Prahlad Shinde | B♭ Minor | 7 | 3A | 97 BPM | ||
| Main Jis Mehfil Men | Kishore Kumar, Mahendra Kapoor, Suresh Wadkar, Laxmikant–Pyarelal | C Minor | 4 | 5A | 151 BPM | ||
| Ishq Da Rog | Master Saleem | B Minor | 9 | 10A | 171 BPM | ||
| Mookanagabeku - Studio | K. Yuvaraj | F♯ Major | 4 | 2B | 92 BPM | ||
| Bhoolati Nathi Ae Sukhi Zindagi Ne | Narayan Swami | F Major | 4 | 7B | 82 BPM | ||
| Katoi Ranga Dekhi Duniyay | Amar Paul | C Major | 2 | 8B | 83 BPM | ||
| Singara Velanukku | Shakthi Shanmuga Raja | G Major | 5 | 9B | 109 BPM | ||
| Jahan Daal Daal Par Sone Ki Chidiya | Vipin Sachdeva | B♭ Major | 4 | 6B | 73 BPM | ||
| Neiyyalae Abishekam | Veeramani Raju | E Major | 4 | 12B | 82 BPM | ||
| Bayko Lay Manchandi | Anand Shinde | B Major | 6 | 1B | 94 BPM | ||
| Mhane Babe Ra Darshan | Gopal Bajaj | A♭ Major | 5 | 4B | 109 BPM | ||
| Jab Meri Haqeeaqat | Chandan Dass | B Major | 5 | 1B | 89 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Main Suraj Tu Chandrawal | Dilraj Kaur, Bhal Singh | F Major | 4 | 7B | 81 BPM | ||
| Janak Rati Chaka Jahn Udi | UMAKANT BARIK | D♭ Minor | 6 | 12A | 155 BPM | ||
| Daltha Qadam Kegda Jinaii | Sardar Ali Takkar | B Minor | 7 | 10A | 129 BPM | ||
| Gotya Baahre Rahu Dya | Anand Shinde | C Major | 5 | 8B | 91 BPM |