"Short Round's Theme" by John Williams had its release date on January 1, 1984. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Short Round's Theme's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Williams's "Indiana Jones and the Temple of Doom (Original Motion Picture Soundtrack)" album is number 7 out of 22. On top of that, United States appears to be the country where this track was created. Short Round's Theme is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Short Round's Theme by John Williams to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Beria's Plan | Christopher Willis | F♯ Major | 1 | 2B | 100 BPM | ||
| A Big Trap | Julian Nott, Rupert Gregson-Williams, James Michael Dooley, Lorne Balfe, Alastair King | C Major | 6 | 8B | 147 BPM | ||
| Stargate Sg-1: Main Title | Original Soundtrack | E Major | 1 | 12B | 78 BPM | ||
| Falling In Love With Love - From "The Boys From Syracuse" | Richard Rodgers, Jessye Norman, Boston Pops Orchestra, John Williams | C Major | 3 | 8B | 63 BPM | ||
| Iden Reborn | Gordy Haab | E Minor | 3 | 9A | 94 BPM | ||
| The Terminator | Marco Beltrami | A Major | 2 | 11B | 165 BPM | ||
| The Battle in the Clouds | Gordy Haab | D Minor | 4 | 7A | 143 BPM | ||
| The Adventures of Robin Hood: Main Title - Muted Fanfare | Erich Wolfgang Korngold, Moscow Symphony Orchestra, William Stromberg | E♭ Major | 3 | 5B | 124 BPM | ||
| Arrival on the Island | John Barry | F Major | 1 | 7B | 60 BPM | ||
| Baggin' An Octopus | John Debney | F Minor | 3 | 4A | 139 BPM | ||
| The New Batman / Superman Adventures (Main Title) | Shirley Walker | D♭ Major | 6 | 3B | 70 BPM | ||
| Through Darkness | Stephen Barton, Gordy Haab | B♭ Major | 0 | 6B | 120 BPM | ||
| Farewell / End Title | John Barry | G Major | 1 | 9B | 143 BPM | ||
| Meet the IMF | Joe Kraemer | A Minor | 1 | 8A | 90 BPM | ||
| The Future - Main Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | D Major | 1 | 10B | 122 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Indiana Jones and the Temple of Doom | Royal Philharmonic Orchestra | B♭ Major | 6 | 6B | 176 BPM | ||
| Kara and Father | Nobuko Toda, Kazuma Jinnouchi | D Minor | 1 | 7A | 81 BPM | ||
| The Boat Scene | John Williams | D♭ Major | 3 | 3B | 99 BPM | ||
| The Baby | Ludwig Göransson | C Major | 1 | 8B | 83 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Where the Nekkos Roam | Stephen Barton, Gordy Haab | C Major | 2 | 8B | 67 BPM | ||
| The Mandalorian | Ludwig Göransson | F Minor | 4 | 4A | 166 BPM | ||
| Farewell Aragog | Nicholas Hooper | G Major | 0 | 9B | 82 BPM | ||
| Trance-Former | Michael Kamen | G Major | 3 | 9B | 87 BPM |