"Panufnik Variations: Variation 10" by Edmund Finnis, London Symphony Orchestra, François-Xavier Roth had its release date on April 1, 2016. With This song being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "The Panufnik Legacies II". In this album, this song's track order is #11. Panufnik Variations: Variation 10 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Panufnik Variations: Variation 10 by Edmund Finnis, London Symphony Orchestra, François-Xavier Roth having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Poeme. Op. 32, No.1 in F-Sharp Major - Duo-Art 6383 | Alexander Scriabin, Josef Hofmann, Peter Phillips | E♭ Minor | 0 | 2A | 136 BPM | ||
| Nine Word Zen Sound Dharani Variations - Piano | Lee Sun-Don | C Major | 3 | 8B | 81 BPM | ||
| Piano & Violoncello 7 | Irena And Vojtech Havlovi | C Major | 1 | 8B | 79 BPM | ||
| 4 Memento Mori: I | Marcus Paus, Joachim Kwetzinsky | D♭ Major | 4 | 3B | 140 BPM | ||
| Pastoral | Moondog, Sean Shibe | A Major | 0 | 11B | 64 BPM | ||
| Signals | Hannah Peel, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | C Minor | 5 | 5A | 122 BPM | ||
| Parallel Colour: VI. — | Edmund Finnis, Birmingham Contemporary Music Group, Richard Baker | A♭ Major | 3 | 4B | 142 BPM | ||
| Ornament 2 | Bryce Dessner, Vanessa Wagner | G Minor | 0 | 6A | 108 BPM | ||
| Metaludios, Book VI: No. 1, Boojum | Gustavo Diaz Jerez | A♭ Major | 2 | 4B | 120 BPM | ||
| Bach, JS: Ach Gott, vom Himmel sieh' darein, BWV 2: Chorale. "Das wollst du Gott, bewahren rein" (Version for String Quartet) | Johann Sebastian Bach, Quatuor Arod | C Minor | 1 | 5A | 72 BPM | ||
| Bruremarsj frå Beiarn (Perf. on Sheng, Viola & Double Bass) | Traditional, Wu Wei, Martin Stegner, Janne Saksala | D Major | 0 | 10B | 130 BPM | ||
| Empty Noon | Eric de Joté | E♭ Minor | 0 | 2A | 136 BPM | ||
| Parallel Colour: V. — | Edmund Finnis, Birmingham Contemporary Music Group, Richard Baker | F♯ Minor | 0 | 11A | 86 BPM | ||
| A Mind in the Heart | Ivan Vukosavljević, Joana Gama | E♭ Minor | 0 | 2A | 136 BPM | ||
| Bluff of Grut Fea | Erland Cooper | D♭ Major | 0 | 3B | 78 BPM | ||
| Vier leichte Tanzstücke “Musik für Kindertheater”: No. 4, Tanz der Entenküken | Georgijs Osokins, Arvo Pärt | B♭ Minor | 1 | 3A | 96 BPM | ||
| Buceo | Bryan Senti, Spencer Zahn, Noah Hoffeld, Czech National Symphony | D Minor | 0 | 7A | 73 BPM | ||
| Somnoptera | Valgeir Sigurðsson, Liam Byrne, Ólafur Björn Ólafsson, James McVinnie | E♭ Minor | 0 | 2A | 136 BPM | ||
| Eiris, Sones | Nico Muhly, Adam Tendler | E Minor | 0 | 9A | 134 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| Movement 4 - Instrumental | Erland Cooper, Scottish Ensemble | E♭ Major | 1 | 5B | 120 BPM | ||
| Every Four Minutes from Now On | Sarah Neutkens, Nederlands Saxofoon Octet | A♭ Major | 0 | 4B | 60 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | E♭ Minor | 0 | 2A | 136 BPM | ||
| Sarabande for Four No.1 Op.1 | Rebekah Reid | G Major | 1 | 9B | 130 BPM | ||
| Suita pour hautbois et piano, Op. 17: III. Moderato | Pavel Haas, Philippe Tondre, Danae Dörken | E♭ Minor | 0 | 2A | 136 BPM |