Traditional, Gospel Dream's 'We Shall Overcome' had a release date set for 2011. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Traditional, Gospel Dream's "Gospel Dream" album is number 4 out of 13. On top of that, France appears to be the country where this track was created. We Shall Overcome is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Shall Overcome by Traditional, Gospel Dream to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sheep May Safely Graze | Philharmonic Symphony Orchestra, Takako Nishizaki, Johann Sebastian Bach | B♭ Major | 1 | 6B | 101 BPM | ||
| Pūt, vējiņi! | Choir "Sōla" | F Major | 1 | 7B | 143 BPM | ||
| Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 130 BPM | ||
| Vögguvísa Möddumömmu | Lyrika | F♯ Major | 1 | 2B | 114 BPM | ||
| O nuit brillante | Traditional, Zurich Chamber Singers, Christian Erny | B Minor | 1 | 10A | 126 BPM | ||
| My Love’s an Arbutus | Mornington Singers | B♭ Major | 1 | 6B | 82 BPM | ||
| Magnificat in D Major, BWV 243: I. Magnificat anima mea Dominum | Johann Sebastian Bach, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | A Minor | 2 | 8A | 137 BPM | ||
| Eight Part Songs, Op. 115: III. The Blue Bird | Charles Villiers Stanford, National Youth Choir Of Great Britain, Bethany Partridge, Christopher Hann | F♯ Major | 0 | 2B | 77 BPM | ||
| Winter Wedding Dance | Thomas Hewitt Jones & The Chamber Orchestra of London | G Minor | 3 | 6A | 110 BPM | ||
| Premier Noël "Une Jeune Pucelle" | Marc-Antoine Chaprentier, Marc-Antoine Charpentier, Jordi Savall, Louise Viricel, Le Concert Des Nations | D♭ Minor | 0 | 12A | 48 BPM | ||
| The Three Drovers - Arr. Luke Byrne and Lyn Williams | William G. James, John Wheeler, Gondwana Voices, Christina Leonard, Jem Harding, Genevieve Lang, Jess Ciampa, Maria Lindsay, Emma Jardine, Nicole Forsyth, Kristy Conrau, Jaan Pallandi, Lyn Williams | G Major | 2 | 9B | 123 BPM | ||
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| Requiem: IX. Pie Jesu | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel, Sam Landman | E♭ Major | 1 | 5B | 85 BPM | ||
| Stabat mater: X. Ave Verum | Karl Jenkins, Royal Liverpool Philharmonic Orchestra, Andrew Long, Royal Liverpool Philharmonic Chorus, Ian Tracey, Jurgita Adamonyte, Belinda Sykes, EMO Ensemble, Pasi Hyökki, Jody K. Jenkins | B Major | 1 | 1B | 77 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Shen khar venakhi - Kartli-Kakhetia | Traditional, The Rustavi Choir | A♭ Major | 0 | 4B | 75 BPM | ||
| Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
| MAGNIFICAT: IV. Et misericordia | Kim André Arnesen, TrondheimSolistene, Anita Brevik, Nidarosdomens jentekor, Lise Granden Berg, Magne H. Draagen, Maria Næss | B♭ Major | 1 | 6B | 81 BPM | ||
| The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | E Minor | 0 | 9A | 78 BPM | ||
| Regnum mundi et omne ornatum, IJL 13 | Jean L'héritier, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 81 BPM | ||
| Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
| Ave verum corpus | Wolfgang Amadeus Mozart, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | D Major | 0 | 10B | 77 BPM | ||
| In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
| Son of God Mass: Agnus Dei | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | G Minor | 0 | 6A | 144 BPM | ||
| Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM |