"Arktos" by Subheim had its release date on November 26, 2015. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 9 out of 10 in Foray by Subheim. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Arktos's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Arktos by Subheim is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 183 Times | Greg Haines | B♭ Major | 3 | 6B | 111 BPM | ||
| Sanft verblassen die Geschichten | Bersarin Quartett | F Minor | 3 | 4A | 143 BPM | ||
| Elegance | Redbrows | D♭ Minor | 2 | 12A | 133 BPM | ||
| Memories Lost | Dead Melodies | C Major | 0 | 8B | 71 BPM | ||
| Light Shapes | Vexa Lune | E♭ Minor | 6 | 2A | 113 BPM | ||
| No Hope | Reblooming | F♯ Minor | 3 | 11A | 148 BPM | ||
| Empress | Subheim | G Minor | 1 | 6A | 73 BPM | ||
| Apartment 451 | 36 | B♭ Major | 3 | 6B | 91 BPM | ||
| Berlin | Subheim | E♭ Major | 3 | 5B | 127 BPM | ||
| Understanding | m.0 | A♭ Minor | 3 | 1A | 154 BPM | ||
| Loss | Anton Belov, The Eight | D♭ Minor | 3 | 12A | 120 BPM | ||
| Fossils | Ben Chatwin | D Major | 3 | 10B | 88 BPM | ||
| Circle 18 - Hainbach Rework | Robot Koch, Foam and Sand, Hainbach | A♭ Major | 1 | 4B | 100 BPM | ||
| Hinter uns die Wirklichkeit | Bersarin Quartett | A♭ Major | 3 | 4B | 111 BPM | ||
| Inside | 36 | A Minor | 4 | 8A | 80 BPM | ||
| Forsaken Part II | Subheim | F Minor | 5 | 4A | 153 BPM | ||
| Noctis | HÆLOS | C Major | 5 | 8B | 70 BPM | ||
| Gentle Clarity | Kiro Nova | A♭ Minor | 5 | 1A | 196 BPM | ||
| Every Shade | Wordclock | G Minor | 4 | 6A | 81 BPM | ||
| Forsaken | Subheim | B♭ Minor | 5 | 3A | 100 BPM | ||
| Approaching | Data Rebel, Jani R | F♯ Minor | 3 | 11A | 95 BPM | ||
| Procession | Desiderii Marginis | E Major | 3 | 12B | 175 BPM | ||
| Above the Rim of the Earth | Mobthrow, Subheim | A Minor | 6 | 8A | 123 BPM | ||
| Low Smoulder | William Ryan Fritch | D Major | 1 | 10B | 97 BPM | ||
| Occurred | Keosz | G Major | 1 | 9B | 69 BPM |