Lewis Watson's ' "forever - acoustic version" was released on its scheduled release date, February 24, 2017. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in forever (acoustic version) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, forever - acoustic version's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of forever - acoustic version by Lewis Watson is Allegro (fast, quick, and bright), since this song has a tempo of 148 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why Don't You Listen | James Cherry | D Minor | 4 | 7A | 97 BPM | ||
| Poetry | Wrabel | A♭ Major | 5 | 4B | 126 BPM | ||
| when the water meets the mountains (acoustic version) | Lewis Watson | E Major | 4 | 12B | 152 BPM | ||
| The Smallest Thing | Frances | B♭ Major | 2 | 6B | 148 BPM | ||
| Can I Be Him - Acoustic Live Version | James Arthur | A Major | 2 | 11B | 98 BPM | ||
| Most Girls - Acoustic | Clementine Duo | B Major | 3 | 1B | 174 BPM | ||
| I Am Bones | Joe Brooks | A Major | 4 | 11B | 171 BPM | ||
| Seaside | Wolf and Willow | A Major | 4 | 11B | 115 BPM | ||
| Ellie Grab Your Gun | Matt Wills | G Major | 4 | 9B | 80 BPM | ||
| Better Man | George Ogilvie | F Major | 5 | 7B | 124 BPM | ||
| Weak - Acoustic | Halloran & Kate, May Raya | G Major | 4 | 9B | 117 BPM | ||
| Riptide | Mark Wilkinson | G Major | 2 | 9B | 128 BPM | ||
| Now and Later | Simon Samaeng | D Major | 4 | 10B | 90 BPM | ||
| Put On, Cologne | Donovan Woods | D♭ Major | 4 | 3B | 96 BPM | ||
| Lost for Words | Plested | B♭ Major | 3 | 6B | 129 BPM | ||
| The Last Time I Saw Adrianne | Henry Jamison | G Major | 3 | 9B | 153 BPM | ||
| Coffee | Havelin | G Major | 4 | 9B | 148 BPM | ||
| Days Like These | Alexander Wren | D Major | 2 | 10B | 156 BPM | ||
| Lost Angles | James Vincent McMorrow | C Major | 2 | 8B | 183 BPM | ||
| Empty Streets - Acoustic Version | Kota Banks, MOZA | D Major | 4 | 10B | 128 BPM | ||
| Little Moon | MacKenzie Bourg | F♯ Minor | 3 | 11A | 74 BPM | ||
| The Other (Stripped) | Lauv | E Minor | 6 | 9A | 100 BPM | ||
| Wild Love - Acoustic | James Bay | B Minor | 4 | 10A | 140 BPM | ||
| Anna Sun - Acoustic | The Griswolds | B♭ Major | 3 | 6B | 137 BPM | ||
| Human | Rusty Clanton | D♭ Major | 1 | 3B | 135 BPM |