"PAY NO ATTENTION TO THE CACTUS" by Trent Reznor and Atticus Ross had its release date on November 27, 2019. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Watchmen: Volume 2 (Music from the HBO Series) by Trent Reznor and Atticus Ross. The song's track number on the album is #9 out of 13 tracks. Based on our data, Turks and Caicos Islands was the country where this track was produced or recorded. Based on our statistics, PAY NO ATTENTION TO THE CACTUS's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since PAY NO ATTENTION TO THE CACTUS by Trent Reznor and Atticus Ross has a tempo of 140 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With PAY NO ATTENTION TO THE CACTUS being at 140 BPM, the half-time would be 70 BPM with a double-time of 280 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Places You Take Me To | Daniel Pemberton | C Major | 1 | 8B | 86 BPM | ||
| FROM MUMBAI TO AMALFI | Ludwig Göransson | A♭ Major | 1 | 4B | 59 BPM | ||
| To the Stars | Max Richter | E Minor | 1 | 9A | 131 BPM | ||
| DVCAM | Oliver Coates | E♭ Minor | 6 | 2A | 80 BPM | ||
| Sea Turtle Song | Cristobal Tapia De Veer | G Minor | 3 | 6A | 99 BPM | ||
| Our Side or Theirs | Colin Stetson | F♯ Minor | 3 | 11A | 73 BPM | ||
| Neon Demon | Cliff Martinez | B♭ Minor | 10 | 3A | 178 BPM | ||
| 413.1 You Are Not Him | Mac Quayle | F Major | 0 | 7B | 107 BPM | ||
| 1.4_2-impenetrable.sd2 | Mac Quayle | A♭ Major | 9 | 4B | 94 BPM | ||
| Crossing II | Christopher Bear, Daniel Rossen | C Minor | 1 | 5A | 70 BPM | ||
| Crossing | Christopher Bear, Daniel Rossen | D♭ Major | 2 | 3B | 88 BPM | ||
| Hessel, Raymond K. | The Dust Brothers | B♭ Minor | 4 | 3A | 99 BPM | ||
| Intro | Mica Levi | G Major | 0 | 9B | 134 BPM | ||
| NFI'D | Anthony Willis, London Contemporary Orchestra | D Major | 0 | 10B | 87 BPM | ||
| The Map of Utopia | Osvaldo Golijov, Arturo Rodriguez, Budapest Art Orchestra | C Major | 3 | 8B | 71 BPM | ||
| 1999 | Danny Bensi and Saunder Jurriaans | C Major | 6 | 8B | 144 BPM | ||
| The Beginning | Danny Bensi and Saunder Jurriaans | D Major | 1 | 10B | 121 BPM | ||
| On We March | Trent Reznor and Atticus Ross | B Major | 3 | 1B | 148 BPM | ||
| Much Prettier Girls in School | Stephen Rennicks | A♭ Major | 1 | 4B | 135 BPM | ||
| Shawshank Redemption | Thomas Newman | F♯ Major | 0 | 2B | 82 BPM | ||
| Lisbon | Jerskin Fendrix | D♭ Major | 2 | 3B | 78 BPM | ||
| Samira's Theme | Alexis Grapsas | C Major | 0 | 8B | 73 BPM | ||
| Overture | Rob Simonsen | A♭ Major | 0 | 4B | 139 BPM | ||
| Ghosts II | Nine Inch Nails | G Major | 0 | 9B | 82 BPM | ||
| Muholland Drive: Main Title Theme - From "Muholland Drive" | Angelo Badalamenti | D Minor | 1 | 7A | 89 BPM |