"Fathers And Sons" by Chris LeDoux had its release date on January 1, 1996. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Stampede". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Fathers And Sons is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fathers And Sons by Chris LeDoux having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Borderline | Chris LeDoux | D Minor | 5 | 7A | 165 BPM | ||
| Paradise | John Anderson | A Major | 6 | 11B | 148 BPM | ||
| The Last Drive-In | Chris LeDoux | E Major | 5 | 12B | 134 BPM | ||
| The Legend and the Man | Conway Twitty | C Major | 6 | 8B | 106 BPM | ||
| Tall Drink Of Water | Mel Tillis | A Major | 5 | 11B | 107 BPM | ||
| Red, White and Blue Collar | Gibson/Miller Band | G Major | 6 | 9B | 125 BPM | ||
| He'll Never Be a Lawyer | Ken Mellons | C Minor | 7 | 5A | 120 BPM | ||
| Wyoming Wind | Chancey Williams, The Younger Brothers Band | D Minor | 7 | 7A | 98 BPM | ||
| The Cowboy Way | Paul Bogart | C Major | 3 | 8B | 143 BPM | ||
| Angel Flight | Radney Foster and The Confessions | E Major | 3 | 12B | 129 BPM | ||
| Red Rock | Smokin' Armadillos | E Minor | 5 | 9A | 77 BPM | ||
| One Hand in the Riggin' | Chancey Williams, The Younger Brothers Band | D Major | 9 | 10B | 124 BPM | ||
| Somebody Knew | Rhett Akins | A♭ Major | 4 | 4B | 105 BPM | ||
| When the Thought of You Catches up with Me | David Ball | G Major | 3 | 9B | 91 BPM | ||
| Drivin' All Night Long | Bruce Robison | D Major | 4 | 10B | 124 BPM | ||
| Left At the Light | Buddy Jewell | G Major | 5 | 9B | 77 BPM | ||
| Donnie Catch A Horse | R.W. Hampton | C Major | 5 | 8B | 126 BPM | ||
| Saddle Broncs and Sagebrush | Wylie & The Wild West | G Major | 2 | 9B | 111 BPM | ||
| Indian Head Penny | John Conlee | E Major | 6 | 12B | 94 BPM | ||
| We're Not Going to Hell for Having a Hell of a Time | Daryle Singletary | E Major | 6 | 12B | 102 BPM | ||
| This Cowboy Rides Alone | Chris Petersen | D Major | 3 | 10B | 104 BPM | ||
| Good Horses To Ride | Trent Willmon | C Major | 4 | 8B | 132 BPM | ||
| He Wasn't Like Us | Jeff Bates | G Major | 4 | 9B | 71 BPM | ||
| Good Ride Cowboy | Dylan Miller | A Major | 9 | 11B | 132 BPM | ||
| Lookout Mountain | Brother Phelps | D Major | 7 | 10B | 144 BPM |