"Find Barlow" by Nathan Barr, Lisbeth Scott had its release date on October 3, 2024. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Salem's Lot (Original Motion Picture Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Find Barlow is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Find Barlow by Nathan Barr, Lisbeth Scott having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Ghosts Above | Logan Nelson | B Minor | 3 | 10A | 140 BPM | ||
| Sleeping Draught | Anne Nikitin | E Minor | 4 | 9A | 75 BPM | ||
| Asombros | Reino De Fuego | E Minor | 1 | 9A | 95 BPM | ||
| Night Lights | Atli Örvarsson | C Minor | 2 | 5A | 93 BPM | ||
| Forgive Me | Rachel Portman | G Minor | 1 | 6A | 57 BPM | ||
| This is a Lot | Nathan Barr, Dimitri Smith | D♭ Major | 2 | 3B | 170 BPM | ||
| Egg Hunt | Tumble Leaf, Lisbeth Scott, Nathan Barr, Hanna Helgegren | G Major | 2 | 9B | 136 BPM | ||
| The Confederacy Of The Humbled | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
| Nandor Fodor Main Theme | Bill Prokopow | G Minor | 3 | 6A | 88 BPM | ||
| Clockwork Me | Hannah Woolmer | A Minor | 0 | 8A | 120 BPM | ||
| The Scale of the Human Heart | Bear McCreary, Sparks & Shadows | B♭ Major | 2 | 6B | 111 BPM | ||
| The Boat | Colin Stetson | F Minor | 1 | 4A | 130 BPM | ||
| End Titles | James Newberry | G Major | 1 | 9B | 132 BPM | ||
| Earth | Lorne Balfe | F Major | 3 | 7B | 123 BPM | ||
| Walk to School | Philip Glass, Paul Leonard-Morgan | A Minor | 0 | 8A | 170 BPM | ||
| August 3rd, 1896 | Mark Isham | D♭ Major | 3 | 3B | 78 BPM | ||
| The Investigation | Howard Shore | B♭ Minor | 1 | 3A | 71 BPM | ||
| Iska | Dinbin Mau | B Major | 1 | 1B | 75 BPM | ||
| Rolling Start | Dave Porter | C Major | 1 | 8B | 74 BPM | ||
| Large Ventricles | Amie Doherty | E Minor | 1 | 9A | 75 BPM | ||
| Aftermath | Nathan Barr | A Major | 2 | 11B | 100 BPM | ||
| Things Best Left Buried | Hannes De Maeyer | F♯ Minor | 1 | 11A | 137 BPM | ||
| Love Scene | Randy Edelman, Nathan Barr, Lisbeth Scott | E Minor | 1 | 9A | 67 BPM | ||
| The Seven Dials Meet | Anne Nikitin | E Minor | 4 | 9A | 75 BPM | ||
| Utopia | Cylis | C Major | 1 | 8B | 57 BPM |