Elbow's 'Bitten By The Tailfly' had a release date set for 2001. This song is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. The song is number 5 out of 12 in Asleep In The Back by Elbow. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Bitten By The Tailfly is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Bitten By The Tailfly by Elbow is Vivace (lively and fast), since this song has a tempo of 166 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| She Sings the Mourning | The Coral | D Major | 9 | 10B | 104 BPM | ||
| Downhill from Here | Snow Patrol | D Major | 9 | 10B | 142 BPM | ||
| Hotel Istanbul - Non-album track | Elbow | G Major | 9 | 9B | 118 BPM | ||
| Ambulance | Blur | B♭ Minor | 5 | 3A | 184 BPM | ||
| Here Comes The Breeze | Gomez | E Major | 5 | 12B | 148 BPM | ||
| Forever - Full Length Version | The Charlatans | E Major | 9 | 12B | 145 BPM | ||
| Redwings | Guillemots | B♭ Major | 3 | 6B | 141 BPM | ||
| Lost Myself | Longpigs | A Major | 7 | 11B | 146 BPM | ||
| Greenpeace | James | A Minor | 9 | 8A | 150 BPM | ||
| Ribbons and Leaves | Graham Coxon | B Minor | 8 | 10A | 167 BPM | ||
| Make No Sound | Gomez | B Minor | 2 | 10A | 95 BPM | ||
| And This Is What We Call Progress | The Besnard Lakes | A Minor | 8 | 8A | 135 BPM | ||
| Alfred the Great | Cherry Ghost | A Major | 10 | 11B | 153 BPM | ||
| Underneath The Weeping Willow | Grandaddy | C Major | 1 | 8B | 126 BPM | ||
| Things Change | The Bluetones | D Major | 8 | 10B | 99 BPM | ||
| Stuck Together Pieces | Atoms For Peace | F♯ Minor | 7 | 11A | 115 BPM | ||
| That Birthday Present | The Twilight Sad | G Major | 10 | 9B | 150 BPM | ||
| Barcode Bypass | Mull Historical Society, Mixed By Colin Macintyre And Brian Macneil | G Major | 5 | 9B | 87 BPM | ||
| Catch The Sun | Doves | D Major | 8 | 10B | 130 BPM | ||
| The Fool's Fooling Himself | Scott Matthews | G Major | 8 | 9B | 138 BPM | ||
| Tongue - 2003 Re-Recording | Bell X1 | E Minor | 7 | 9A | 167 BPM | ||
| Vanishing Act | Gaz Coombes | D♭ Major | 9 | 3B | 140 BPM | ||
| Starlings | Elbow | G Major | 2 | 9B | 103 BPM | ||
| Battle | Blur | A Major | 6 | 11B | 96 BPM | ||
| Lit Up | Public Service Broadcasting | C Major | 6 | 8B | 150 BPM |