D. Richard Lewis, Nelson Rangell, Kip Kuepper, Larry Thompson, Ann Beer, Smantha George, Lynell Harding, James Hoskins, Brett Wallace, Lisa Martin, Joe Martin, Susan McCormick's ' "Movement V (Opening)" was released on its scheduled release date, July 8, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "Relationship Suite". In this album, this song's track order is #7. Movement V (Opening) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Movement V (Opening) by D. Richard Lewis, Nelson Rangell, Kip Kuepper, Larry Thompson, Ann Beer, Smantha George, Lynell Harding, James Hoskins, Brett Wallace, Lisa Martin, Joe Martin, Susan McCormick having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| He Dances in the Crowd | Patricia Palmero Alvarez | G Major | 2 | 9B | 142 BPM | ||
| Blood Sweat & Tears II | MDP | C Minor | 3 | 5A | 105 BPM | ||
| Ako Boh - Instrumental version | Miro Žbirka, Karlovarský Symfonický Orchestr | D Major | 3 | 10B | 76 BPM | ||
| エッグヘッド研究層 | Kohei Tanaka | C Major | 4 | 8B | 98 BPM | ||
| FFVII REMAKE: Stewards of the Planet | 西木 康智 | B♭ Major | 4 | 6B | 82 BPM | ||
| Swan Lake | Carlos Slivskin | B Minor | 2 | 10A | 140 BPM | ||
| Miradas Serias | Fronteras Lejanas | D Major | 2 | 10B | 100 BPM | ||
| 手に入れた平穏 | KOHTA YAMAMOTO | F Major | 3 | 7B | 134 BPM | ||
| Mystic Forest (From "Tales of Phantasia") | Allan Näslund, Shinji Tamura, Ryoto Furuya, Motoi Sakuraba | F♯ Major | 5 | 2B | 180 BPM | ||
| Every Time the Sun Rises - offvocal ver. | Hagali | E♭ Major | 2 | 5B | 120 BPM | ||
| ブクレシュティの人形師 | ZUN, 交響アクティブNEETs | F♯ Minor | 4 | 11A | 72 BPM | ||
| End Credits (Part 1) (From "The Legend of Zelda: Twilight Princess") | ZREO: Second Quest, Wayne Strange, Jeff Ball, Marc Papeghin, Michaela Nachtigall | G Minor | 3 | 6A | 83 BPM | ||
| OPENING ACT@TSUKUYOMI | CONISCH | E♭ Minor | 5 | 2A | 87 BPM | ||
| それぞれの思惑 | Hideakira Kimura | A Minor | 2 | 8A | 100 BPM | ||
| FAKE LOVE | Roma Symphony Orchestra | D Minor | 1 | 7A | 180 BPM | ||
| Across The Great Oceans | David Arkenstone | A Major | 3 | 11B | 124 BPM | ||
| The Smallest of Miracles | Kikoru | E♭ Minor | 3 | 2A | 103 BPM | ||
| Welcome | Stephan Schutze, Melbourne Symphony | A Major | 2 | 11B | 117 BPM | ||
| Provincial City Rolent | Falcom Sound Team jdk | D Minor | 5 | 7A | 114 BPM | ||
| もう歌しか聞こえない ~ 夜雀の歌声 | ZUN, 交響アクティブNEETs | F Minor | 5 | 4A | 80 BPM | ||
| Ending "Onward to Our Own Futures" | Kunning Fox | E Minor | 9 | 9A | 79 BPM | ||
| Mice on Venus (from "Minecraft") - Orchestrated | The Marcus Hedges Trend Orchestra | C Major | 3 | 8B | 110 BPM | ||
| Succession Main Theme | L'Orchestra Nazionale di Mendoni | E Minor | 1 | 9A | 78 BPM | ||
| Isabella´s Lullaby Instrumental | Peaceful Anime | B♭ Minor | 3 | 3A | 56 BPM | ||
| Inside the Hub | Kyle Hnedak | B♭ Major | 2 | 6B | 104 BPM |