- BPM
- 186
- Key
- B♭ Major
- Camelot
- 6B
Zubbediya by David Rendall Song Details
David Rendall's 'Zubbediya' had a release date set for May 27, 1997. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Zubbediya's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Original Studio Cast's "Kismet: Complete Recording (First Complete Recording All Star Cast)" album is number 9 out of 32. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Zubbediya is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of Zubbediya by David Rendall to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
Music Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -12.491 dB
- Acousticness
- 79%
- Danceability
- 20%
- Energy
- 40%
- Instrumentalness
- 0%
- Liveness
- 32%
- Loudness
- 79%
- Speechiness
- 4%
- Valence
- 24%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Te Deum, WAB 45: I. Te Deum laudamus | Anton Bruckner, Jessye Norman, Yvonne Minton, David Rendall, Chicago Symphony Orchestra, Daniel Barenboim, Chicago Symphony Chorus, Margaret Hillis | C Major | 1 | 8B | 140 BPM | |
 | Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "O statua gentilissima" | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Samuel Ramey, Berliner Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 128 BPM | |
 | The Apostles, Op. 49, Part I. By the Wayside: This shall ye have of Mine hand (Mary Magdalene) | Edward Elgar, Richard Hickox, London Symphony Orchestra, Alfreda Hodgson, Stephen Roberts, David Rendall, Bryn Terfel, Robert Lloyd, London Symphony Chorus | A♭ Major | 1 | 4B | 145 BPM | |
 | Bellini: I puritani: "Ah! per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | A♭ Major | 0 | 4B | 71 BPM | |
 | Puccini: Turandot, Act 2: "O Cina, che or sussulti" (Ping, Coro, Pong, Pang) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Gregory Bonfatti, Mattia Olivieri, Siyabonga Maqungo, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 1 | 6A | 117 BPM | |
 | 6 songs, Op. 36: No. 1, Svarta rosor | Jean Sibelius, Kari Lövaas, Erik Werba | A♭ Major | 0 | 4B | 71 BPM | |
 | Franck: Les Béatitudes, FWV 53: IV. Bienheureux ceux qui pleurent | César Franck, Armin Jordan, Choeurs de Radio France, David Rendall, Jane Berbié, Louise Lebrun, Marcel Vanaud, Nathalie Stutzmann, Nouvel Orchestre Philharmonique de Radio France | A Major | 2 | 11B | 85 BPM | |
 | Mary Stuart, A. 43, In. 52, Act I: When I first looked upon her face (Elizabeth, Dudley) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, David Rendall, Rosalind Plowright | D♭ Major | 1 | 3B | 81 BPM | |
 | Gounod: Messe solennelle de Sainte Cécile: VII. Agnus Dei | Charles Gounod, Georges Prêtre, Barbara Hendricks, Choeur de Radio France, Laurence Dale, Nouvel Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM | |
| Mary Stuart, A. 43, In. 52, Act II: Bid her welcome! (Dudley, Elizabeth, Talbot, Mary) | Gaetano Donizetti, Sir Charles Mackerras, English National Opera Orchestra, Janet Baker, David Rendall, Rosalind Plowright, John Tomlinson | D♭ Major | 1 | 3B | 81 BPM | |
 | Rossini: Petite messe solennelle: XI. Et resurrexit | Gioachino Rossini, Antonio Pappano, Alex Esposito, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Francesco Meli, Marina Rebeka, Sara Mingardo, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 1 | 3A | 85 BPM | |
| Bellini: I puritani: "O rendetemi la speme… Qui la voce sua soave mi chiamava" (Elvira, Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | |
 | Carmen / Act 2: Non, tu ne m'aimes pas! | Georges Bizet, Agnes Baltsa, José Carreras, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 178 BPM | |
 | Die Fledermaus / Act 2: "Ich lade gern mir Gäste ein" | Johann Strauss II, Brigitte Fassbaender, Wolfgang Brendel, Wiener Philharmoniker, André Previn | D♭ Major | 1 | 3B | 77 BPM | |
 | Deep In My Heart | David Rendall, Marilyn Hill Smith, Ambrosian Chorus, Philharmonia Orchestra | F Major | 6 | 7B | 137 BPM | |
 | The Dream of Gerontius, Op. 38, Pt.2: I went to sleep | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 174 BPM | |
 | Le nozze di Figaro, K.492 / Act 4: "Il capro e la capretta" | Wolfgang Amadeus Mozart, Tatiana Troyanos, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 110 BPM | |
 | Loveless - Gift of the Goddess - FF7 Rebirth OST Ver. | Masashi Hamauzu | A♭ Major | 4 | 4B | 81 BPM | |
 | Petite messe solennelle: Domine Deus | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Michael Spyres | D Major | 2 | 10B | 138 BPM | |
 | Carmen / Act 3: "Je dis que rien ne m'épouvante" | Georges Bizet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 1 | 5B | 128 BPM | |
| Puccini: Turandot, Act 1: "Figlio, che fai?" (Timur, Calaf, Liù, Il principe di Persia, Coro) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Francesco Toma, Jonas Kaufmann, Michele Pertusi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 150 BPM | |
 | 26. From ev'ry kind of man Obedience I expect | Arthur Sullivan, Lyndsie Holland, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | C Major | 2 | 8B | 80 BPM | |
 | Szymanowski: Love Songs of Hafiz, Op. 26: No. 7, Drinking Song | Karol Szymanowski, Sir Simon Rattle, Katarina Karnéus, City Of Birmingham Symphony Orchestra | B Major | 0 | 1B | 58 BPM | |
 | Idomeneo, K. 366, Act II Scene 5: Placido è il mar, andiamo (Choir, Elettra) | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Sir Simon Rattle, Bavarian Radio Chorus, Elsa Dreisig | G Major | 5 | 9B | 86 BPM |
- ISRC
- GBDGA0604060
- Label
- L-M Records/RCA Records