James Reyne's ' "The Rainbow's Dead End - Acoustic, Live" was released on its scheduled release date, September 23, 2022. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in James Reyne's "Live in The Corner Hotel Front Bar" album is number 15 out of 20. On top of that, France appears to be the country where this track was created. In terms of popularity, The Rainbow's Dead End - Acoustic, Live is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of The Rainbow's Dead End - Acoustic, Live by James Reyne to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Day You Went Away | Wendy Matthews | E Major | 2 | 12B | 106 BPM | ||
| Man Overboard | Do Re Mi | C Major | 5 | 8B | 89 BPM | ||
| Get Out Of The House | Boom Crash Opera | C Major | 9 | 8B | 119 BPM | ||
| Distant Sun | Crowded House | E♭ Major | 7 | 5B | 111 BPM | ||
| Work | Uncanny X-Men | D Major | 8 | 10B | 159 BPM | ||
| My Happiness | Powderfinger | C Major | 8 | 8B | 86 BPM | ||
| English Girls | James Reyne | E Major | 9 | 12B | 106 BPM | ||
| Fraction Too Much Friction | Tim Finn | B Minor | 6 | 10A | 100 BPM | ||
| Throw Your Arms Around Me | Hunters & Collectors | E Major | 5 | 12B | 113 BPM | ||
| 50 Years | Uncanny X-Men | C Major | 5 | 8B | 165 BPM | ||
| Someone's Singing New York New York | Ghostwriters | E♭ Major | 9 | 5B | 149 BPM | ||
| Sweet Cherie | Moving Pictures | E Minor | 7 | 9A | 142 BPM | ||
| One More Time | Diesel | E Major | 8 | 12B | 81 BPM | ||
| Ego Is Not A Dirty Word | Skyhooks | F Minor | 7 | 4A | 151 BPM | ||
| If I Were a Carpenter | Swanee | C Major | 5 | 8B | 108 BPM | ||
| State Of The Heart - Digitally Remastered | Mondo Rock | C Major | 9 | 8B | 154 BPM | ||
| Slave | James Reyne | F Major | 5 | 7B | 109 BPM | ||
| Love You Like I Should | Dave Dobbyn | D♭ Minor | 8 | 12A | 103 BPM | ||
| Great Wall - Acoustic | Boom Crash Opera | G Minor | 5 | 6A | 164 BPM | ||
| If You Leave Me Can I Come Too? | Mental As Anything | G Major | 9 | 9B | 111 BPM | ||
| Come Back Again - Single Edit | Daddy Cool | D Major | 8 | 10B | 122 BPM | ||
| In The Morning | Boom Crash Opera | A Major | 9 | 11B | 107 BPM | ||
| Wake Up Dead Man | James Reyne | F Major | 3 | 7B | 92 BPM | ||
| Hold Your Head Up | The Party Boys | A Major | 7 | 11B | 95 BPM | ||
| Absolutely | Eurogliders | D Minor | 5 | 7A | 106 BPM |