Earl Thomas's ' "Ode To Billy Joe" was released on its scheduled release date, December 14, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Unplugged At Caffe Calabria". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Ode To Billy Joe is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Ode To Billy Joe by Earl Thomas having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Strange Things Happen | Lazy Lester | C Major | 3 | 8B | 81 BPM | ||
| Twelve Gates To The City | Earl Thomas | G Major | 4 | 9B | 135 BPM | ||
| What You Doing to Me (feat. Victor Wainwright) | Brandon Santini, Victor Wainwright | C Major | 6 | 8B | 84 BPM | ||
| Sugar and Riley | Ray Bonneville | A Major | 4 | 11B | 113 BPM | ||
| Why (Am I Treated So Bad) | Dee Dee Bridgewater | A Major | 5 | 11B | 98 BPM | ||
| Cure My Soul | Lloyd Spiegel | C Major | 6 | 8B | 111 BPM | ||
| Sad, Sad Sunday | EG Kight | C Minor | 4 | 5A | 181 BPM | ||
| The River Turned Red | Selwyn Birchwood | D Major | 9 | 10B | 103 BPM | ||
| Tiny Town | Cary Morin | A♭ Major | 3 | 4B | 124 BPM | ||
| I Got To Give It Up | Snooky Pryor & Mel Brown | A Major | 5 | 11B | 96 BPM | ||
| Whiskey After Closing | Shelby Street Blues | D Major | 4 | 10B | 84 BPM | ||
| Avignon Blues | Molly Johnson | F Major | 6 | 7B | 137 BPM | ||
| You Left The Water Running | W.C. Clark | G Major | 8 | 9B | 116 BPM | ||
| North County Woman | Doug MacLeod, Denny Croy, Dave Kida, Carl Sonny Leyland | D Major | 5 | 10B | 120 BPM | ||
| You Got Mine | Luke Winslow-King | G Major | 4 | 9B | 166 BPM | ||
| I'll Be There (If You Ever Want Me) | Clarence "Gatemouth" Brown | B♭ Minor | 4 | 3A | 83 BPM | ||
| Til The End | James Hunter | G Major | 1 | 9B | 81 BPM | ||
| Coffee | Michael van Merwyk | D Major | 2 | 10B | 145 BPM | ||
| I'm a Stranger Here | Fiona Boyes | C Major | 3 | 8B | 115 BPM | ||
| Death Row | Mike Zito | D Major | 6 | 10B | 141 BPM | ||
| Walking Blues | Rory Block, Stefan Grossman | B♭ Major | 1 | 6B | 106 BPM | ||
| Great Superstar | Emikooritse Andrew Ololo | D Major | 5 | 10B | 133 BPM | ||
| Have Mercy | Shemekia Copeland | A♭ Major | 6 | 4B | 110 BPM | ||
| Kitty Won't Scratch | Kat Riggins | G Major | 8 | 9B | 102 BPM | ||
| Romans 7:24 — Wretched Man | Holy Groove | C Major | 3 | 8B | 77 BPM |