"A Day at the Racetrack" by Julian Lynch had its release date on January 1, 2010. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. A Day at the Racetrack's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julian Lynch's "Mare" album is number 3 out of 10. A Day at the Racetrack is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Day at the Racetrack by Julian Lynch to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Faces and People | Sam Prekop | G Major | 5 | 9B | 127 BPM | ||
| Amplifiers | Atlas Sound | F♯ Major | 4 | 2B | 108 BPM | ||
| Strawberry Cookies | Julian Lynch | F Major | 5 | 7B | 102 BPM | ||
| I Just Want to See You Underwater | Here We Go Magic | D Major | 8 | 10B | 129 BPM | ||
| Derr Of The Schwann (Break Of The Dawn) | Barry Walker Jr. | A Major | 5 | 11B | 105 BPM | ||
| The Piano in the Bathtub | Department Of Eagles | E♭ Major | 5 | 5B | 108 BPM | ||
| May Life Throw You a Pleasant Curve | Bitchin Bajas & Bonnie "Prince" Billy | F Major | 3 | 7B | 158 BPM | ||
| The Beach That Leads To Your Shore | Mick Turner | E Minor | 3 | 9A | 126 BPM | ||
| The Lemon of Pink I | The Books | C Major | 3 | 8B | 86 BPM | ||
| I Am Sky | Laraaji | E Major | 6 | 12B | 149 BPM | ||
| The Company | Sam Prekop | D♭ Major | 3 | 3B | 159 BPM | ||
| Past Life Regression | A.R.T. Wilson | G Major | 1 | 9B | 87 BPM | ||
| A Cloud to the Back | Sam Prekop | F♯ Major | 2 | 2B | 142 BPM | ||
| Love Comes Slowly Now | The Garbage & the Flowers | A Major | 8 | 11B | 156 BPM | ||
| Natural Acts | Sonny & The Sunsets | D Major | 9 | 10B | 101 BPM | ||
| Moth 14 | Mick Turner | C Major | 3 | 8B | 69 BPM | ||
| Twisted Mirror | Pure X | E Major | 4 | 12B | 97 BPM | ||
| Dazed and Awake | Aerial M | E Minor | 2 | 9A | 100 BPM | ||
| The Right to Remain Silent | Silver Jews | A Minor | 4 | 8A | 175 BPM | ||
| Does Matter | Sando Flioni | B Minor | 1 | 10A | 120 BPM | ||
| Shore Power | Acetone | B Minor | 1 | 10A | 141 BPM | ||
| Solitude | Chris Cohen | F♯ Major | 2 | 2B | 71 BPM | ||
| Europe | Scott Gilmore | E Minor | 4 | 9A | 172 BPM | ||
| Colorful Nickels | Black Moth Super Rainbow | A Major | 3 | 11B | 91 BPM | ||
| Pixel World | Pheizy | C Major | 5 | 8B | 160 BPM |